Grounds for Sculpture

Few people would deny that religion and art share a common heritage. Some of the earliest human art was religiously motivated (I would contend that cave paintings and Paleolithic figurines were religious objects), and much of the contemporary art scene derives its inspiration from religious motifs and constructs. Not all art is religious, however, and not all religions are friendly toward art. Nevertheless, there is a tangible connection.

This weekend was uncharacteristically warm and sunny for a New Jersey March. This led us to take our visiting family to Grounds for Sculpture, one of New Jersey’s often overlooked treasures. Built on the remains of the old State Fair grounds in Hamilton, this park houses an impressive array of outdoor sculpture that is contemplative, innovative, puckishly funny, and even a little weird. It reflects the human experience. My family and I have been there multiple times, appreciating the sculpture from new angles, discovering new pieces, and seeing it all through the eyes of others.

Taste in art is highly personal and individualistic. Just like religious sensibilities. Both art and religion seek to make the human soul accessible to others through profound expression. Several of the sculptures in this unique garden bear biblical titles or suggestions, but they may be enjoyed as secular pieces of expression as well. Here is where art is superior to religion: it does not insist on any single way of expressing the truth. Sometimes, it seems, art may actually attain what religion only aspires toward.

Monet listens attentively to a dilettante

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