The Big Man

“When the change was made uptown/And the Big Man joined the band…”

Clarence Clemons (from WikiCommons)

Among the earliest markers of religion in human culture is the advent of music. While still disputed, bone “flutes” from about 40,000 years ago seem to indicate that early humans knew the value of music. Driving around now that the weather has warmed up, it is clear that people still find music so important that they like to share it from their open car windows at a volume I find uncomfortable even across the street. Like religion, music is an intensely personal aspect of life. Although I mention bands I like occasionally in this public forum, I never parse my music tastes too much because they are a little too revealing. With Clarence Clemons’ death yesterday, however, it is appropriate to pause and give my respects.

Those who know me sometimes wonder at the fascination I have with Bruce Springsteen; I am not an idol-worshipper and not all of Springsteen’s work appeals to me equally, but he represents an appreciation of the ordinary person. What first drew me to his music was the fact that he understood blue-collar mentality and angst generated by an unfair society. In an interview on his Born to Run special edition, Springsteen notes the seminal change that Clarence Clemons made in the E-Street Band, as reflected in the opening quote from “Tenth Avenue Freeze-Out” above. The playing of Clemons’ saxophone was so distinctive that even my very untrained ear could often pick it out on other artists’ albums even before reading the credits.

The E Street Band, of course, changed over time and lost a first-generation member with Danny Federici’s death three years ago. Although Bruce Springsteen is alive and well, and still active in causes to help those who are victims of an uncaring system, the E Street Band will never be the same without Clarence Clemons. The old camp song says that music never dies, and that is a hope we can hold out for the impact of remarkable performers as well. When I walk into a classroom with kids who have no idea who the Beatles were and who’ve never heard of Alice Cooper, Deep Purple, or Pink Floyd, I feel my age. But it is okay as long as I can still listen to the music once I get home (I never play the stereo while driving—I prefer to concentrate on the music a little too much). It is like a religious experience. I am sure the cosmos is a more harmonious place for having hosted Clarence Clemons, even if just for a little while.

One thought on “The Big Man

  1. Matt Purdum

    Just really don’t think after all these years that Springsteen is anything but terribly shallow. Anybody can paste together a little Steinbeck , a little James Dean, a dash of Walt Whitman, and a dollop of Dion & The Belmonts, and get the same soup.

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