V. C. Andrews was a name familiar to me from skulking around used bookstores where tons of over-printed, read-only-once books line the shelves. I had seen Flowers in the Attic on many shelves since the 1980s, but supposing it to be a romance title, I showed no interest. As Borders was closing, however, I noticed a copy of the novel on the horror shelf and couldn’t fight the curiosity any longer. I guess it might have been building, subtly, for three decades. My wife was surprised to see it in my stack, but I professed my lack of knowledge and began reading it.
Horror is a strange genre of writing. It is defined in various ways, but I have found that authors deal with their own fears with a variety of strategies. After thirty years I need not worry about spoilers, so I can say that the concept of a parent destroying her own children is about the scariest scenario imaginable. What makes the story of interest here, however, is the treatment of the Bible in the story. After the premature death of their father the Dollanganger children are secreted away in an unused upstairs wing and attic of their wealthy grandparents’ mansion. While the hidden foe is really their mother, Andrews introduces the grandmother as the Bible-quoting, intolerant, prejudiced symbol of oppression. Quick with the rod and completely unforgiving, she goes to bed each night reading her Bible and she insists the children do the same. When she finds an excuse, however, the children are lashed for being wicked.
Interestingly, it is the mother who is never shown quoting the Bible. Towards the end of the story the children recognize that while she is evil, the grandmother would not directly commit murder. The mother who has tasted the intoxicating liquor of wealth, however, knows that even her own children cannot stand in the way of her inheritance. The adults in the story are twisted—some by religion, some by greed. The questions raised by children, like all of us innocent of our own existence, merely ask where the love has gone. Religion without love is Hell, as the pictures selected for the children’s prison by the grandmother clearly show. Worse than Hell, however, is the blinding love of money.
We are all flowers in the attic of an uncaring world. Some find comfort in the power of wealth while others resort to religion. Many try to combine the two. At the end, those who are truly noble are those who survive without either.