I try, normally, to limit blog posts to one per movie (per viewing), but I’m still thinking about The Apostle, so I thought I’d share a bit more. I can’t get that scene of “tag team” preaching out of my head. The extras on the DVD reveal that the preachers, other than Robert Duvall, were actual ministers. When Duvall comes on the stage, acting, these other men “catch on fire,” preaching to the small congregation gathered under the tent. They’re not acting. This juxtaposition of someone acting as a preacher sharing an actual revival with those who are actually preaching makes me wonder if there was any dissonance felt. Did anyone feel any compunction about really preaching after getting riled up by someone who was only pretending? Where is the line between fiction and fact here? Film and reality blend.
The same kind of question occurred to me after watching The Witness. I’m not a Hollywood expert, but the rumors that circulated then (and I was in college at the time) were that some of the actors were actually Amish. They too, lived their actual faith while in the presence of actors, cameras, and a director. These films that use non-actors certainly score points for verisimilitude. Rev. Charles Johnson, for example, is really “in the spirit.” The scene of him, “coming down from the spirit,” Duvall reveals in the Making of segment, is real. This man, at least, had a spiritual experience in a fictional piece. The same, Duvall suggests, may apply to Sam in the final altar call. This was, he avers, real emotion, not acting. Does being saved in fiction count in real life?
Movies sometimes leave me wondering what is real. I suppose that’s part of the draw. Religious experience, like sex, is generally faked on film. Things that are sacred are felt to be off limits to the eyes of strangers with only voyeuristic interests. I’ve lived long enough to see photographs go from proof positive to Photoshop fantasy. We can’t believe what we see any more. How are we to comprehend films that portray religious experience? Did Robert Duvall actually save any sinners from Hell? Does it make a difference if an ersatz minister is the one who leads you there? What of a real minister who fails to convert the viewing audience? Films are not simple escapism, I know. And as I continue to wonder about saints and apostles, I’m going to have to try to understand what can be caught on celluloid and what can’t.