Jeffrey Burton Russell knows a devil of a lot about the Devil. I’ve just finished the third of his five books on the subject, Lucifer: The Devil in the Middle Ages, and I certainly learned a thing or two. As someone who considers himself an historian of religion, being exposed to a concept over several volumes has a way of making me feel humble. The theme of this series, at least so far, is that the Devil is a conceptual way of dealing with evil in the world. In the days of polytheism a single source of evil wasn’t needed, but no matter how you slice it, monotheism implicates God in the fact of evil in the world. The Devil is one way to try to lift some of that burden from the divine shoulders.
Lucifer is an interesting installment because ideas of the diabolical really took off in the Middle Ages. Russell’s previous volume, Satan, became heavily theological and there’s a bit of that here as well. While there’s no doubt some average people in the Dark Ages tried to figure out where Devil came from, the officials sponsored by the church were those whose ideas were written down and preserved. Those ideas, unsurprisingly, were theological and complex. Scholasticism, which began in the Middle Ages, launched what was to become known as systematic theology in the modern era. Among the many topics with which it concerned itself was the Devil, and evil. Ranks of angels, both fallen and un, peopled the atmosphere. Galileo’s perspective would eventually change this cosmology by making it both simpler and more complex at the same time. Lucifer, however, still survives.
One of the stranger developments of the Devil in this time period is as a form of light relief. The idea of plays (which had been around since classical times) also took off in the Medieval Period. In these plays Lucifer and his demons often took on a comical cast. Even when the tone was serious (and what morality play isn’t?) the Devil could be used for laughs. An incredibly rich mythology had been adopted by the church at the time—think Star Wars with more religious characters—that assured the laity that Satan’s doom was sure. Besides, we like to make fun of the things we fear. Think Washington, DC. Now that I’m halfway through Russell’s oeuvre on the subject, I’m curious where his next volume will go. No matter how much you think you might understand evil, as we’re daily finding out, there’s always so much more to learn.