Influential Brethren

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Outsized ideas from under-recognized sources always captivate me.  I have to admit that my own childhood fascination concerning, and fear of, “the rapture” still haunts me.  While our house isn’t large, the other day I couldn’t see or hear my wife anywhere when I knew she was home and my first thought was that she’d been raptured and I’d been left behind.  Please don’t try to console me with logic; I know very well the problems with this initial assessment and knowing the history of the idea of the rapture can’t stop the primal fear when it strikes.  So it is with religious ideas inculcated in the young.  That’s why I knew I had to read Massimo Introvigne’s The Plymouth Brethren as soon as I heard of it.  The Plymouth Brethren, and specifically one of their formative leaders, John Nelson Darby, were the inventors of the rapture.

Introvigne’s book doesn’t trace rapture history (other books do that), but he does narrate, in an admirably succinct treatment, whence the Brethren arose.  In the nineteenth century in the British Isles, some were very concerned that Christianity had gone off the rails.  Accommodating with secular society, it had become heavily doctrinal and, worse, political.  Breakaway groups were common, including those who went back to the “Bible alone” as the basis for assessing what being Christian truly was.  The Plymouth Brethren developed in this atmosphere and they still remain a relatively small Christian sect (I use that term completely neutrally).  Even though they themselves splintered over time, they were never a very large group.  They, however, invented the rapture.

John Nelson Darby, one of the founders of the movement, believed history was divided into dispensations, or periods, predetermined by God.  The dispensation in which we now live (and in which they lived two centuries ago) would include a dramatic rapture that would allow Darby’s understanding of eschatology to fall within the system he developed.  This idea was picked up by Cyrus Scofield and included in his enormously influential Scofield Reference Bible.  That Bible, although many evangelicals considered the Plymouth Brethren as a kind of “cult,” was used as the unquestioned roadmap for the end times.  It was picked up by such promoters as Hal Lindsey and Timothy LaHaye and made into a meme that just about any educated person recognizes.  We all know what “the rapture” is, although the Bible itself doesn’t spell it out at all.  Introvigne’s book is very informative on the Brethren but his chapter on their ten main divisions is, necessarily, a touch confusing.  Well balanced and fair, this is a great source for those who wonder who these people were that gave us such worries when our wives have “disappeared” into some other part of the house.

Amityville Rehaunted

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One of the problems with scarce resources is the desire not to squander any of them.  Time is so rare these days that I keep multiple writing projects going (and growing) and when they’re ripe I pluck them and take them to market.  One of my writing projects had me read Hans Holzer’s Murder in Amityville.  Why?  Fair question.  It was the “inspiration” behind Amityville II: The Possession.  I discuss this film in Nightmares with the Bible, and I’ve been going back and reading those period pieces from the 1970s that formed so much of our culture through the end of the last century.

In case you didn’t grow up with an interest in parapsychology, Hans Holzer was a pretty big name then.  I can assert that with some confidence because I grew up in a small town without access to big city resources (where fame is made) and I knew about him.  Holzer wrote well over 100 books, which might give you a hint regarding their quality.  He was an interesting person.  Like Ed and Lorraine Warren he made a living by investigating, writing, and lecturing.  (I can’t seem to break into that cycle—times have changed!)  A firm believer in ghosts and demons, Holzer was naturally drawn, like other moths around the candle, to Amityville.  Murder in Amityville is his summation of his investigation and all I can say is it’s a good thing he wasn’t a lawyer.  Apart from containing lengthy transcripts of Ronald DeFeo’s trial, the book also contains interviews conducted by Holzer.  Full of leading questions and lacking evidence, it fails to convince even a sympathetic reader.

Still, you’ve got to give Holzer credit for including interviews where his loaded questions get him nowhere.  In interviewing a town historian for Amityville, Holzer kept bringing up allegations about the house at 112 Ocean Avenue only to have the nonplussed historian tell him point blank that his (Holzer’s) allegations are incorrect.  His assertions of an “Indian burial ground” are taken for granted, although no historical records substantiate it.  His interview with DeFeo demonstrates Holzer’s irrepressible faith.  After being told by DeFeo that he’d heard no voices—something he made up for a failed insanity plea—Holzer keeps coming back to what the voices told him to do.  Not only that, when Holzer does stumble upon a good question he fails to follow up, chasing some other notion down another rabbit hole.  There was clearly enough material here to work into a horror movie, but for sorting out the troubled home life of the DeFeo family the critical reader finds her or himself being asked to take a lot on faith.

Thoughts on a Book Signing

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I’m a small-town boy.  Having the opportunity to hold a book signing, even if nobody requested said signing at the event, in the oldest continuously operated bookstore in the country was an honor.  This is a prelude to the Easton Book Festival next weekend, in which I have two roles—part of a panel discussion and an individual presentation on Holy Horror.  Putting yourself out there when you’re a writer is important, even if nobody pays attention.  I thought quite a lot about it; horror movies are almost always successful, but do people like reading about them?  Well, some of us do, obviously, but the average viewer, probably not so much.  And then there’s the somewhat embarrassing juxtaposition of the Bible.  People know what it is, but don’t want to talk about it.

Two people stopped to chat at the signing desk.  One was an adjunct geology professor.  We discussed science and religion, which is something on which I used to teach classes.  He thought the book idea was interesting, but not enough to read it.  The Moravian Book Shop scheduled this on the evening of their sold out ghost tours.  Quite a few people came in for a Saturday night, mostly for the haunted Bethlehem walks.  The second conversation was with a ghost tourist who thought the book idea was unusual.  It is.  I admit it.  As I say in the book itself, “If you see something, say something.”  So it was with me, with Bibles in movies.  The bookstore did a nice display, but then, I have an awareness of the smallness of my impact.  No surprises here.

The thing that really struck me was just how many people avoid looking at you when you’re behind a table with your books.  I know I’ve done the same thing.  I’ve gone into bookstores when an event was going on, not knowing about it and having no interest whatsoever in the book being presented.  That’s the way these things go.  I wasn’t doing this to make sales.  McFarland isn’t the kind of publisher you use to make money.  For me it was all about the experience.  It was like seeing my name outside a church in Manhattan.  It doesn’t do anything for you materially, but at least you can say you had it happened to you once.  The signing was advertised in the local paper, and on its website.  Maybe someone out there took a glimpse and saw something that sparked their curiosity.  It doesn’t matter if they buy the book.  As a teacher at heart, it is simply the interest that I’m hoping to raise.

Fly Away

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Humans can be quite likable, but we have some nasty traits.  One is that we tend to think of ourselves as the only intelligent beings on the planet.  The funny thing about evolution is that it gave us both big brains and opposable thumbs—a winning combination to destroy the planet.  (Just look at Washington, DC and try to disagree.)  Jennifer Ackerman’s The Genius of Birds is poignant in this context.  Page after page of nearly unbelievable displays of intelligence among birds demonstrates that we are hardly alone on the smarts scale.  Birds make and use tools, have better memories than most of us do, and can solve problems that I even have trouble following.  We tend to take birds for granted because they seem to flit everywhere, but the book ends soberly by noting how global warming is driving many species to extinction.

Homo sapiens (I’ll leave out the questionable and redundant second sapiens) like to think we’ve got it all figured out.  We tend to forget that we too evolved for our environment—we adapt well, which has allowed us to change our environment and adapt to it (again, opposable thumbs).  Many scientists therefore conclude that we are the most intelligent beings in existence.  Ironically they make such assertions when it’s clear that other species can perceive things we can’t.  Ackerman’s chapter on migration states what we well know—migrating birds can sense the earth’s magnetic field, something beyond the ability of humans.  We lack the correct organ or bulb or lobe to pick up that signal.  And yet we think we can rule out other forms of intelligence when we don’t even know all the forms of possible sensory input.  We could learn a lot from looking at birds, including a little humility.

The Genius of Birds explores several different kinds of intelligence.  What becomes clear is that birds, like people, have minds.  Like human beings they come on a scale of intellectual ability that doesn’t suggest only one kind is necessary.  For our large brains we can’t seem to get it through our thick skulls that we need biodiversity.  We need other species to fill other niches and our own remarkable ability to thrive has only been because we are part of a tremendous, interconnected net encompassing all of life.  Other species have contributed to our evolution as we clearly do to theirs.  When we end up thinking that we alone are smart and our own prosperity alone matters we are sawing away at the branch on which we sit.  Further up the birds look at us and wonder if we really know what we’re doing.

Trolls and Tolls

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Fall creeps up on me every year.  I like to have an array of seasonal books to read so that when it arrives I’ll be ready.  With house repair costs this year I’ve had to curtail book buying.  That, and most of the titles on my to-read list are used books that seem to have become extortionately expensive since the 1970s.  In any case Cherie Priest’s The Toll stood face out on the shelves of Buffalo Street Books in Ithaca and it caught my attention.  Set in the Okefenokee Swamp in Georgia, this unsettling novel brings the reader into the liminal space of the dying small town.  There’s a bit of magic in Staywater, although everyone who lives there knows it hasn’t got long before it goes altogether.  And every thirteen years a monster comes.

Priest knows not to describe the nameless creature too clearly.  The monster seen in broad daylight can quickly lose its patina of fear.  This is some kind of supernatural swamp beast and everyone local seems to know it’s picking them off.  The outside authorities, however, pay no attention to small towns that have “nothing to offer” to the greater economy.  That aspect resonated with me as the erstwhile denizen of a community of less than a thousand.  I watched the dissolving of my adoptive hometown as the tax-base shrank to the point that they could no longer afford to pave the streets and decided to go back to gravel.  Once the oil refinery—what gave the town “value”—closed, outside interest disappeared.  Ah, but I digress from fiction.

The Tool is a moody novel that doesn’t take itself too seriously.  There’s backstory here that remains untold.  Two of the protagonists are elderly female cousins who are comfortable with the spiritual world.  They are the past saviors of this little town in the swamp.  The other characters have all come to an uneasy peace with their periodic tormentor and they have nowhere else to go.  When the monster strikes against unwary outsiders the locals don’t welcome outside attention.  Those acquainted with small communities know that’s what life is like.  Attention brings cash, but often unwelcome change as well.  One of the more haunting aspects of this novel is the number of threads left dangling in the wind.  Not everything is resolved, and life goes on much as it always has, without or without the monster.  A moody read, this ghost story has, it is clear, a deeper message.

Digital First

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Publishers these days are all yammering about being “digital first.”  Now, I use technology when I write these days, despite the fact that I am coerced to shut down programs at 3:30 a.m., my writing time, because tech companies assume people are asleep then and that’s when upgrades happen.  Still, even as an author of the modest academic sort I know the unequalled thrill of seeing that first printed copy of my book.  Authors live for that moment.  It’s our opiate.  Publishers don’t understand that.  Five years back or so I had a novel accepted for publication.  (It never happened, but that’s a long story.)  At one point the publisher changed its mind—post-contract!—and decided that my story would be only an ebook.  They tried to make me feel better by saying they thought it would do well in that format.

Who wants to hold up a plastic device and say “Look what I wrote!”?  It makes about as much sense as smoking a plastic device.  No, writing is intended to lead to physical results.  Even those of us who blog secretly hope that someday someone will say, “Hey, I want to publish your random thoughts as a book.”  As long as it’ll be print, where do I sign?  In some fields of human endeavor there are no physical signs that a difference has been made.  Is it mere coincidence that those who work in such fields also often write books?  I suspect not.  Writing is a form of self-expression and when it’s done you want to have something to show for it.  All of that work actually led to something!

Since I work in publishing I realize that it’s a business.  And I understand that businesses exist to be profitable.  I also know that technology sits in the driver’s seat.  Decisions about the shape of the future are made by those who hold devices in higher regard than many of us do.  I’m just as glad as most for the convenience of getting necessary stuff done online.  What I wonder is why it has to be only online.  The other day I went looking for a CD—it’s been years since I bought one.  At Barnes and Noble about all they had was vinyl.  I’m cool with records, but my player died eons ago.  I had to locate a store still dedicated to selling music that wasn’t just streamed or LP.  That gooey soft spot in the middle between precomputer and 0s and 1s raining from the invisible cloud.  I went home and picked up a book.  Life, for a moment, felt more real.

Weird Publishing

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It’s a weird world.  Publishing, I mean.  In the early days of shock and angst after Nashotah House, when it had become clear that UWOsh—the University of Wisconsin, Oshkosh—wasn’t going to hire me full-time after a full-time year there, I considered that classic fall-back of the academic—publishing.  I wasn’t exactly clear on what an editor did in those days, but I was pretty sure I could learn.  Gorgias Press hired me and after just over two years, downsized.  I’d been in publishing long enough at that point to have learned about Transaction Publishers.  Housed on the Livingston campus of Rutgers University, where I’d been teaching for a few years at this point, Transaction had been founded by the sociologist Irving Horowitz.  Now that Gorgias was out of the picture, I contacted Transaction out of the blue and landed an interview with Horowitz himself.  Although he was most cordial, it didn’t lead to a job offer.

Eventually I was recruited by Routledge.  I was about to learn the nature of publishing in a whole new way.  Early in my time in the Taylor & Francis group (they had a letter signed by Walt Whitman in one of the board rooms) I learned that presses grow by acquiring other presses.  I suggested Transaction, only to be told it was too small of a “concern;” Taylor & Francis preferred larger fish.  When Routledge downsized I found myself again applying to Transaction.  Irving Horowitz had passed away by this point and before I could make an appeal, I was hired by my current employer.  There I have been ever since.

The other day I had cause to look up Transaction.  It was with some surprise that I learned they had been acquired by Taylor & Francis and merged with Routledge.  I’m sure that my suggestion of that acquisition had nothing to do with it, but I pondered what would’ve happened had I been hired by Transaction after Routledge cut me loose.  A few years later I would’ve found myself working for Routledge again.  And likely I would have found history repeating itself.  Publishing is a fairly small industry.  Books are a low-margin commodity (it pains me to type those words, but that’s the way the business world sees them).  Not too many people are interested in a company that has to sell lots of a specialty item in order to make them profitable.  Consumers tend not to buy books in bulk.  My time in publishing has been about connections.  And some of those connections are just plain weird.

Fall Festivals

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Now that it’s October, it’s officially okay to be scared.  Determined to fight my fright of hubris, I make brave to mention that I have two appearances scheduled for the first ever Easton Book Festival, coming up from the 25th to the 27th.  The Festival has turned into quite an event, with some 200 writers taking part.  I got involved by being in the right place at the right time, for a change.  Authors are being brought in from as far as New York City, Vermont, and Massachusetts.  I know from experience that even Manhattan is a trek.  I contacted the organizers back in the summer since I have an autumn book that came out in late December last year.  For the festival I’ll be involved in a panel discussion “Poets as Prophets—Merging Art and Religion” on Saturday, and a presentation on Holy Horror on Sunday.

Like many people who write, I’m shy and not naturally good at promoting myself.  The other day while out for a walk my wife and I were run by by a group of shirtless high school guys, presumably on the track team.  It felt like the gallimimus scene from Jurassic Park—we’re smaller folks, and these confident, athletic sorts were not.  It felt like an object lesson to me.  Some of us are born with genetic dispositions to grow large and to feel confident.  Others not so much.  When we watched the caber toss at Celtic Fest last weekend, the contestants were all well over six feet tall, which I suppose makes sense if a caber is in the cards for you.  As they showboated for the crowd, I knew a small display with my book was just up the hill in the Moravian Book Shop.  Like me, in the shadows of the shelf above.

Perhaps my only regret about the Easton Book Festival is that I don’t have a fictional novel to present.  Well, I do, but it isn’t published.  Lately I’ve been exploring that wall of separation between fiction and non.  In the kinds of books I read in the fall, the wall is more of a hurricane fence.  And it’s only about waist high at that.  Holy Horror isn’t an academic book, it just plays one on the market.  If it were a standard academic title I wouldn’t have put it forward for the Easton Book Festival; people come to such events to be entertained as well as to learn.  This one will encompass pretty much all of downtown Easton for the weekend.  And that weekend is just before Halloween, when the wall between worlds is especially thin.

 

Flipping

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The mind-blowing book I mentioned last week is here unveiled.  I discovered Jeffrey Kripal’s work years ago, and have subsequently had a few conversations with him.  The Flip: Epiphanies of Mind and the Future of Knowledge is a challenging and necessary book.  In a way that only full-time academics can, Kripal examines the large picture.  When I say “large” I mean cosmic in scale.  He does so through the lens of the humanities and, especially, religious studies.  If anybody’s going to make religious studies cool, it is he.  The world is full of weird things.  If we’re honest most of us will admit to having had strange things happen to us.  Often we’ll filter them out or explain them away, but at other times we will stop, scratch our heads, and wonder what just went on.

The Flip is not a book of such anecdotes (and I, along with the author, am willing to take anecdotes seriously).  There is some strange stuff in here, but there is also a lot of science.  Historically the humanities, as understood by ancient Romans, included what we would call sciences.  Humanities, in other words, were attempts at understanding the world.  Today religious studies is among the humanities while science is separated out into STEM.  Kripal takes science seriously.  In fact, much of what he discusses here is the application of quantum physics to the macroscopic.  (I’m probably not explaining this well, but then, I guess you’ll have to read the book!)  In other words, science and the humanities need to come together again.  It’s not either/or, but both/and.

Holding out a hand across the aisle is uncomfortable.  Religion has done a great deal to disgrace itself of late, and it’s no wonder respectable folk want to keep their distance.  To understand what we are, however, requires a willingness to admit that humans are both deeply intellectually curious and deeply religiously inclined.  We can be both.  In fact, it is unlikely we can be any other way.  Anomalous occurrences aren’t generally welcome in religious studies any more than they are in the sciences.  That doesn’t stop strange stuff from happening.  This little book of big ideas uses that disjunction to lead the reader into spaces where the future might faintly be discerned.  Wide-ranging and provocative, this book needs to be read.  It is a strange world where two different approaches to knowledge so often decline to speak to one another.  Here they do, and their conversation is mind-blowing.

Grasses and Bans

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It’s been so busy that I didn’t realize it was Banned Books Week until yesterday, when there was but one day left (today).  I usually make a point of reading a banned book during this week, but I suppose I read so many of them normally that the observance might lose its edge.  But that’s just an excuse—in this world of uber-corrupt governments, preventing censorship is a sacrament.  We’ve seen just this week how dictators try to silence those who expose them.  Banned books, whether we like what they say or not, should be available for reading.  This is an amazingly bipartisan holiday.  Some places have banned the Bible, to which true believers in the principles of Banned Books Week would respond “Even books we might disagree with should be made available.”  Censorship seeks to cut off discussion.

Although I won’t finish in time, after work yesterday I quickly grabbed my unread copy of Walt Whitman’s Leaves of Grass to begin to make up for my oversight.  Leaves of Grass has been called America’s homegrown Bible and it has an almost religious following, as it has for decades now.  Poetry has a way of moving people that frightens autocrats.  It taps into something that skirts around our conscious mind at times, opening up possibilities that censors would rather keep closed.  Over the past couple of years books of poetry have again begun to appear on the New York Times Bestseller list.  People read to be moved.

One element banned books tend to have in common is that they’re honest, even when they’re fiction.  Honesty is a source of great anxiety for many.  We don’t like to let our true selves be seen because, truth be told, we feel vulnerable.  Banned books take us into uncomfortable places.  And sublime places.  Not all books are great literature, of course.  Even I have been known to part with a book after reading it because it simply didn’t speak to me in the way I like to be spoken to.  Still, I’m loath to give such a book a negative review.  It didn’t speak to me, but it spoke to the author and the publisher, obviously.  It is a voice that deserves to be heard.  That’s what Banned Books Week is all about—defending the right of human expression.  I may not finish my banned book by the end of today since weekends tend to be busier than many work days.  Still, I’m looking forward to my encounter with America’s other Bible.

Book Signing

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Okay, so I’ve got a book signing for Holy Horror coming up at the Moravian Book Shop in Bethlehem.  And they’ve advertised it in the local paper.  I’m humbled and honored by this, especially since I have no local following.  When I go to the website of the newspaper, The Morning Call, ads pop up on the top, bottom, and center of the page, obscuring the event.  I take this as kind of symbolic.  Life is crowded.  We seem to have turned the corner to autumn around here with nights being distinctly chilly.   After the languorous heat of summer when even thinking about winterizing seemed to add another layer of insulation over already too warm body, now we suddenly have to try to fit it in among an already crowded schedule.  At least I don’t have to commute too much any more.

I’m trying to get ready for the book signing, but I don’t really know what to do.  Perhaps I should try to get some business cards printed up.  Maybe I should think of some catch-phrase to use if anyone actually buys a high-priced book.  What should I wear?  Working at home can make you feel like a recluse sometimes.  I don’t have enough money to be considered eccentric, but I don’t get out among hoi polloi much either.  If most people have as much trouble as I do clicking off the ads to get to the event underneath, those who swing by the table are likely to be few.  Still, I’m looking forward to meeting local horror film fans.  They are, in general, a surprisingly cordial bunch.

After Nightmares with the Bible I’m going to focus on trying to find more mainstream publishers.  The reason is simple: academic publishers tend to be overpriced.  I’ve worked in publishing long enough to be able to decode pricing schemes.  There is a logic to them, even if at times it feels like you’re being overshadowed by pop-up windows.  To get a wide readership you need a pretty big platform, and getting a following on any form of social media takes the one thing I don’t have enough of.  Time.  You see, just the other day it was summer and we felt like we were baking.  Now the equinox has plunged us into the days of getting the furnace cleaned and operational and looking at the prices of insulation and shaking our heads.  Somewhere under all of these pop-ups are ideas waiting to be written down.

Time To Meet

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I feel compelled to state up front that this wasn’t the mind-blowing book I was writing about in yesterday’s post.  One of the perks of working in publishing is the occasional offer of a free book.  (It’s not as generous as you might think, so when one is offered I always say “thank you.”)  The Surprising Science of Meetings, by Steven G. Regelberg, isn’t exactly “mind-blowing.”  The realization that some people make a living studying meetings was certainly, well, surprising, but the corporate world is all about returns on investments and boring stuff like that.  We all hear of companies that value innovative and exciting ideas, but most of us know the feeling of being desk drones parked behind a soulless monitor all day.  At least I’m no longer confined to a cubicle.

The academic world I once knew was the stimulating environment of learning for its own sake.  The academy has followed the business world to its own form of perdition and as Rogelberg points out, there are millions of meetings any given day.  Many of them are poorly run.  This book is for those who want meetings to flow more effectively, to better the bottom line.  Still, I found the chapter on servant leadership particularly hopeful.  I couldn’t help but wonder if Rogelberg was aware that servant leadership was something that developed in the church, out of the effort to imitate the way Jesus was said to have led his flock of disciples.  The point was not to aggrandize himself (this is a chapter 45 and his ilk should read) but to help others to be their best.  This is the kind of leadership—rare, to be sure—that the church has always, at least vocally, promoted.

It didn’t take long for ecclesiastical organizations to start running like businesses, however.  The bishop became a boss rather than someone who reluctantly had the crozier forced into his (or her) hand.  I’ve always believed you should have to take a pay cut to become a bishop.  That would immediately weed out most of the climbers.  In fact, if servant leadership is really the ideal, and the good of the company is really the goal, pay cuts should be expected as you climb the corporate ladder.  Can you imagine a business world where workers were well compensated, and those who really had vision sought promotion because their motivation wasn’t their own bottom line?  It’s an intriguing idea, to be sure.  I’d like ponder it more, but I’ve got a meeting to get to.

Book Magic

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Something happens to you on a long bus ride, reading a mind-blowing book.  Part of the transport—literally—is that you’re captive for an hour or two and your book is your boon companion among snoring strangers.  Another aspect is the earliness of the hour.  Days like yesterday, when I have to commute to New York, involve awaking at 2:30 a.m.  The day is cast very differently when your timing shifts back by a few hours.  It’s almost mystical.  The largest portion of the transformative experience, however, is the book itself.  I’ve begun commutes with a book that I quickly realize is a mistake, but since I’m not a quitter, I soldier through it to the end anyway.  On yesterday’s commute the book was one of those that caught my imagination and flew it like a kite from the rear of the bus.  Arriving in Manhattan before six a.m. added to the feeling.  The city’s a very different place that time of day.

Not everyone enjoys reading, I realize.  My late stepfather once had a job as an elevator man.  Not the kind dressed in livery at a big-city hotel, but as an operator in an antiquated building in Oil City, Pennsylvania, where you had to pull the metal gateway  physically across the door and wait until the floor leveled before opening it again.  I didn’t get along with my stepfather, but one day I went to visit him in the elevator.  It wasn’t a busy building.  He sat on a stool, staring straight ahead.  For hours at a time.  Not a man prone to meditation, I knew he had to be bored.  I asked if I could bring him something to read, at least.  He declined for fear of missing someone’s call signal.  It was one of the most frightening scenarios I could imagine.

The clock in the Port Authority read 5:49 when we pulled in.  The day seemed full of possibilities.  I caught the 4:30 home, but the magic was gone.  The book had moved on to more technical things.  Traffic was bad, and there’s a world of difference between reading while the bus moves and trying to do so when it’s caught in traffic.  The commute out of New York City is normally a nightmare, and yesterday traffic didn’t flow freely until we were nearly through New Jersey.  My book was still my companion, but rather more like when a conversation ebbs after an intense discussion.  There was the worry of getting home, taking out the garbage, and trying to stay awake until a reasonable hour.  The book would still be there tomorrow, but I wouldn’t be the same.

Ambling through Amityville

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I may be a week too late for Friday the 13th, but I just finished rereading The Amityville Horror.  One of my current projects required my paying close attention to what was and was not claimed, and although it doesn’t count towards my Goodreads goal, I just had to do it.  I noticed, as also occurred to me when rereading Gerald Brittle’s The Demonologist earlier, that the second time through raises more questions than the first.  The book has been demoted from nonfiction to novel over the years, but it seems pretty clear that Jay Anson believed it to be based on actual events.  He could’ve been wrong, of course, but with a long list of documentary writing credits to his name one does have to wonder.  Anson died just a year after the film came out.

When the movie was released I was still in high school and what everyone was saying about how scary it was kept me out of theaters.  (That, and lack of funds.)  It’s hard to imagine now, but there weren’t even VHS options in those days, especially for those of humble circumstances.  As a result, I was well into adulthood before I saw the cinematic version.  Reading the book, however, is an attempt to pry open the question of what might’ve happened at one of the most famous “haunted houses” this side of the Atlantic.  I’d just read a headline that the house had been sold again, and such was the impact of this story that a simple property transaction is now considered news in some circles.

Controversy permeates this tale.  I suspect that’s because it made a lot of money.  The search for the truth is often compromised by lucre—just look at the White House and try to disagree.  The usual rendering is that the Lutz family, in financial trouble, concocted a story that would bring in big bucks.  Such accusations came, of course, once the story did indeed prove valuable.  The second highest grossing film of 1979, The Amityville Horror held records for the highest grossing independent film for a decade.  Add to that the estimated book sales of 10 million copies and you have a nice retirement account laid up.  Those levels of remuneration are enough to corrupt any narrative.  Still, it’s clear that many people wonder what really went on at the house on Ocean Avenue.  I sat down with the book again and I have to admit that I’m no wiser on the question for having read it again.

Pay Per View

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One of the things editors can teach academics is that the latter should pay more attention.  Especially to the world of publishing.  An erstwhile academic, I learned to go about research and publication in the traditional way: come up with an idea that nobody else has noticed or thought of, and write about it.  It is “publishing for the sake of knowledge.”  (Yes, that is Gorgias Press’s slogan, and yes, it is one of my hooks—marketing, anyone?)  The idea behind this is that knowledge is worth knowing for its own sake.  Researchers of all kinds notice details of immense variety and there’s always room for more books.  Or at least there used to be.  The world of publishing on which academics rely, however, is rapidly transforming.  Money changes everything.

The world has too many problems (many of them generated by our own species) to pay too much attention to academics.  Universities, now following “business models” crank out more doctorates than there are jobs for employing said wannabe profs, and those who get jobs pay scant attention to knock-on changes in the publishing world.  Just the other day I was reading about “pay per use” schemes for academic writing that, unsurprisingly, came up with the fact that most academic books and articles lose money.  If someone has to pay to read your research, will they do it?  Especially if that research is on a topic that has no obvious connection with the mess we’re busy making of this world?  Probably not.  Publishing for the sake of knowledge is fast becoming a dusty artifact in the museum of quaint ideas.

For those still in the academic sector that means that research projects now have to be selected with an economic element in mind.  “Would anyone pay for this?” has to be one of the questions asked early on.  The question has to be answered honestly, which requires getting out from beyond the blinders of being part of the privileged class of those who are paid to think original thoughts.  Academia has followed the money.  A capitalistic system makes this inevitable.  How can you do business with an institution that doesn’t play by your accounting rules?  And academic publishers, which have difficulty turning a profit due to low sales volume, are bound to play along.  This situation will change how we seek knowledge.  More’s the pity since some of the things most interesting about the world are those that nobody would think to pay to view.