The New Purple

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Those of us who grew up Evangelical hold an unusual place among our liberal peers.  We’re often able to peer around, over, and under that wall that has been built between those who want a faith-based nation and those who want a free one.  Angela Denker is a fellow traveler on this road, and her book Red State Christians: Understanding the Voters Who Elected Donald Trump is a useful roadmap.  Some of us fall further from the tree than others, but one of Evangelicalism’s more endearing traits, when taken seriously, is the love of those who are different from you.  That love is often forgotten in the political rhetoric daily whipped into a froth by an unstable president being used by his party to install agendas that hardly fit the moniker “Christian.”  That’s why books like this are so important.

I confess that reading studies such as this make me uncomfortable.  Uncomfortable because my Evangelical past haunts me worse than any ghost, but also because Denker is clearly right that basic humanity is being left in the garbage as battle lines are drawn up in what could be a great, diverse nation if a leader were determined to work for unity.  I recently wrote about lunar landings.  Kennedy was a Catholic who had to work to bring a nation together around a common goal.  Instead of tearing the country apart for his personal aggrandizement, he pointed to the moon.  Sure, there was a xenophobia concerning the Soviet Union, but at least in this pocket of the world there was a sense that we should work together.  When religion entered politics with Richard Nixon and his followers, a deep rift opened up.  The two topics you were never to discuss—religion and politics—were now in the same bed.

Red State Christians is an extended road trip on which Denker interviews people who largely fall under the Evangelical umbrella.  Some of them are Catholic.  Some of them are Hispanic.  Some of them are less concerned with social issues, but are hard-working laborers often overlooked by the Democratic Party.  The resulting pastiche is one in which Americans are cast not in sharp relief, but rather with the hazy edges that are a far more accurate way of understanding human beings.  Many, it becomes clear, elected Trump out of fear, or out of fear of his opponent.  These aren’t bad people, but they are people afraid.  This wasn’t an easy book to read, but it is an important one.  And those who want to work for a future that might include realms beyond the moon might find this work a small step in the right direction.

Pointing to the Moon

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The failure of India’s  Chandrayaan 2 to maintain contact, intended to make India the fourth nation to successfully conduct a lunar landing, sent me reading about the moon.  I remember the first manned landing, which happened when I was six, so the idea that we could make it that far seemed less impressive than it really is, I suppose.  I was fascinated by early space travel, and part of this may have been because of the moment of silence announced in school the day Apollo 13 safely returned to earth after the oxygen tank explosion that made its landing impossible.  As I was reading about the many moon missions that took place before I was born, I was surprised to learn how many nations are still attempting to reach our nearest neighbor.  This year alone China, Israel, and India have all attempted to land up there.

Israel’s mission called its lunar lander Beresheet.  It was the first attempt to land the Bible on the moon.  Beresheet is the Hebrew title of Genesis.  The US missions were named Pioneer, Ranger, Surveyor, and Apollo.  Ironically for the persistently religious nation, our only supernatural title was the name of a Greek deity.  Israel was true to its roots with its naming convention, but there is kind of a paradox involved.  In the world of the Bible the earth is the center of the universe and the moon is a quasi-living being circling about our stationary fix in this fictional view of the cosmos.  That’s not to say our own views may not some day be regarded as fictional as well, but simply that we now know the view in Genesis is incorrect.

Of course, the word “genesis” can mean a purely secular beginning as well.  It is a compound word that is often translated as “in the beginning.”  As such, it is appropriate for the first attempt at a moon landing, or any other great venture.  Still, it is instantly recognizable as the first word in the Bible, indicating a kind of strange juxtaposition where the biblical moon—which is not the same as the astronomical moon—are brought together.  Unlike the book of Genesis, the moon has been reached many times by others before.  The old and the new meet in this attempt to reach into space.  Meanwhile our problems continue down here.  Maybe that’s why we continue to attempt to reach the heavens.  And in that sense, no better title applies than that of the book that somehow defies rational explanation.

Power of Parables

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Parables come in all sizes and shapes, horror movie-shaped, some of them.  In my perpetual struggle to catch up, I finally got to see Get Out.  One of the raft of well-made, intelligent horror films that have been released recently, it’s been out long enough that I suspect my spoilers will be well known.  The Armitage family, resident in upstate New York, has been kidnapping and using African-Americans to make up for the perceived weaknesses of their family and friends.  One of their main means of obtaining victims is through their daughter Rose, who brings her boyfriends home for the weekend so they can be hypnotized by her psychiatrist mother and operated on by her neurosurgeon father.  The reveal comes slowly, but the discomfort begins early on.

Released early in the Trump White House tenure, the movie is a study in an intense xenophobia that nestles somewhere between Guess Who’s Coming to Dinner and The Stepford Wives.  It’s inherently uncomfortable watching Chris Washington, the protagonist, being treated as if his very presence requires constant comment in the world of white privilege.  He, of course, had misgivings before ever climbing into Rose’s car, but her convincing display of liberalism was enough to overcome his hesitation.  For me, watching the film made it clear that privilege is something assumed, even when it isn’t had in any explicit way.  The Armitage family and their friends are well-to-do but even if the setting were more mundane the message would still have worked—our culture imposes and reimposes its message of white superiority in subtle ways that the camera captures here.

Quite apart from its nature as a parable, Get Out is a demonstration of the social consciousness of horror.  Its reputation as a debased, low-brow appeal to all that’s unsavory to watch is misplaced at times.  While Get Out is uncomfortable it’s that way for a reason.  Were it not, it would lose its important message.  All privileged people need to be able to see through the eyes of those who are culturally disenfranchised, and although the “us versus them” mentality is problematic it has to be faced honestly and openly.  The very fact that a human construct like race could be used as the basis for a horror film in America raises questions that ought to make all of us squirm.  Setting the story in New York, where prejudice might be supposed not to remain only underscores how deeply its roots have grown.  Horror with a conscience is perhaps as much a vehicle for social change as it is a genre more honest than often supposed.  That’s how parables tend to be.

Gods, Monsters, and Publication

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One of life’s great ironies is that those of us not born to wealth have to spend the years we’re young enough to enjoy ourselves stabilizing our situation until suddenly we realize we’re too old to do that kind of thing any more.  I know I’m being overly dramatic, but it often does feel like life operates backwards.  My professional career began where I’d hoped it would end, as a professor.  I taught and published for almost twenty years and really nobody paid much attention.  At least I had my teaching.  I also had a family to support, so I had to accept the shift to publishing when that came along with an offer of a full-time job.  Thus it has been for about a decade now.  Within the last decade colleagues have begun to approach me, asking me to contribute to academic volumes, or to be involved in pursuits that are more associated with professors than editors.  I could do with more irony in my diet.

All of this is a long-winded invitation to check out the new Journal of Gods and Monsters.  I probably won’t be writing articles for it; lack of library and research time (both of which I had when invitation-free) assure that my scribbling will be non-technical and hopefully of the more general interest crowd.  Then why am I telling your about this journal, fresh from the box?  I’m on the Executive Advisory Committee and the first Call for Papers has been issued.  Now, this blog really has no way to include attachments that I know of, so if anyone wants in on the ground floor for this journal please contact me (the About page on this website says how).  I contributed to the first number of the first volume of the Journal of Ancient Near Eastern Religions and look where I am now!  You just never know.

In addition to the books on which I’ve been assiduously working, I’ve got a number of commitments to edited volumes and encyclopedias (these invitations waited until I was safely out of academe before rolling in).  The monster crowd is, I assure you, a welcoming one.  As we seem to have turned the corner into autumn a touch early this year, and I see leaves beginning to change before August is out, my mind turns toward the realm of the uncanny.  It may be less academic than ancient religions, but the world of monsters feels much more relevant these days.  If you’re a researcher in these realms I’ll be glad to send you a call for papers.

 

 

 

 

https://godsandmonsters-ojs-txstate.tdl.org/godsandmonsters/index.php/godsandmonsters

Meatings

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It was almost a little too real.  As I looked at the fake blood—this wasn’t a horror movie—I had a hard time accepting this wasn’t the real thing.  I mean Beyond Meat’s vegetable-based sausage.  My daughter recently sent me a captivating article about artificial meat.  Unlike many paeans to its virtues by fellow vegetarians and vegans, this was written by an omnivore who unabashedly stated that we’ve reached the point where synthetic meat has surpassed the real thing in flavor and the eating experience.  The piece on Outside made me glad.  Feedlots, apart from being the largest industrial polluters in this country, are a horror film based on a true story.  The way we treat “food animals” violates just about every ethical stance in the book, and it’s a big book.  We do it for profit, of course.  Now that artificial meat is turning a substantial profit, those who slaughter are starting to pay attention.

I recently ate at a local restaurant where our waiter recommended the cauliflower burger.  The thought wasn’t appealing.  Don’t get me wrong, I do like cauliflower.  I prefer it raw, however, since cooking brings out its more cruciferous qualities.  In any case, our server said, “It’s new on the menu.  We offered it once before and so many people requested it that we’ve made it a regular item.”  Now we don’t exactly live in a hippie haven here.  Still, enough people are asking for alternatives that we’re discovering it pretty easy to find plant-based protein in some pretty remarkable places.  It put me in mind of my most challenging course in college: biomedical ethics.

A class that asked, and then pressed on very sensitive questions, biomedical ethics required a term paper.  I wrote mine on animal testing.  This was back in the 1980s, and technology has moved on since then.  Even back in those dark ages of Reaganomics, artificial tissue was being lab grown, eliminating the need for animal testing on many products.  Now we’re reaching the point where the same may apply to comestibles.  I’ve long used vegetarian alternatives (now vegan ones) and they’ve increasingly improved.  When I had the most recent alternative, however, I couldn’t believe it wasn’t meat.  It was too real.  I’m not morally opposed to verisimilitude, I assure you.  The closer they get to the real thing, the better it is for the animals who’ll never need to be born to be killed by us.  It’s just I find the fake blood upsetting, and I’m happy to be reminded that this is only a simulacrum after all.

Somebody’s Coming

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Sometimes updates don’t help.  That’s because evil is so good at masquerading as righteousness that constant vigilance is required.  Michelle Goldberg’s Kingdom Coming: The Rise of Christian Nationalism was recommended to me by someone at a local church.  I’ve been giving educational talks to help people understand what Evangelicalism is, so I figured I’d better read it.  The optimistic epilogue to this otherwise excellent book allowed relief after the 2006 midterm elections.  Of course, nobody back then could’ve believed an even less intelligent president than W could ever be put forth by the GOP.  That doesn’t mean Kingdom Coming shouldn’t be read.  It should.  And it should be required reading (aw, gee!  Homework?).  There have been many studies that have demonstrated repeatedly that Christian Nationalism is highly organized and well funded.  Meanwhile intellectuals scoff that religion is dead.

I spent most of the last week in a kind of panic.  I have another public talk coming up, and I needed to read Goldberg before that.  Yes, it is dated.  But yes, we have Trump’s bumbling form of “leadership” with a well funded, highly organized Evangelical subculture calling the shots.  Forget the politicians—they’re only interested in money—it’s everyone else who suffers from America’s growing fascism.  The fact that the GOP won’t stand up to 45 shows that we’ve already turned the corner toward das Vaterland.  Anyone the Republican Party elects from now on could be the new dictator.  Christian Nationalism stands behind this as journalists scratch their heads.

Goldberg’s book has likely been shelved because eight years of Obama made it seem like the threat was gone.  The problem is, silence works to the benefit of Christian Nationalists.  Perhaps the most frightening thing about all of this is that many intellectuals simply don’t take the threat seriously.  At the same time I was reading this, I was also reading about Nazi Germany (because I’m such a cheerful guy).  The parallels are blatant and entirely too obvious to miss.  Christian Nationalism has an agenda and it is fascist in nature.  Even obeying the words of Jesus takes second place to the political objective of making America in their own image.  This may sound alarmist, but it’s based on solid information.  The Devil, they say, is most powerful when people don’t believe in him.  Those who would make America into a theocracy would claim to follow the other guy, but looking at their tactics, it’s pretty clear who’s really in charge.

Private Matters

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Mercenaries have long been part of human culture.  With some exceptions, people really don’t like to fight to the death meaning that wars have often relied on those willing to fight for pay.  As society buys more and more into capitalism—and capitalism always means you want what someone else has—we’ve had to pay armies to become a massive part of our national existence.  In the United States the military budget is the most massive drain on taxpayers’ dollars, dwarfing all other areas of government spending.  Even Dwight Eisenhower, himself a military man, warned the country of the military-industrial complex.  It was becoming too powerful, he believed.  Knowing better, we continue to spend to curb our fears—generally unfounded.

The other day I was reading about the private military industry.  I didn’t even know there was such a thing.  Yes, I’ve known of mercenaries since I was a kid, but I think was got to me was the word “industry.”  This has apparently now become a legitimate line of work, I suspect with tax breaks and other kickbacks.  What’s more, it’s recognized by governments as a legitimate business.   Perhaps I spend too much time in my own headspace—I am a Bibles editor after all—but I felt like I’d just crawled out from my scriptural rock.  There’s an entire industry where your job is to be a fighting force for hire?  Victory to the highest bidder?  The ultimate, weaponized free agents?  How does that feel?  Mercenaries have often suffered in reputation.  Now we recognize them as just another job.  I guess that’s one way to handle unemployment.

While the Good Book is considered outmoded by many, I do think it has many things right.  One of its most compelling messages is that we should be peacemakers.  We should love one another, seek to help, not to harm.  Nobody’s going to pay a lot for that, however.  War is more profitable.  Meanwhile the education industry—even it can be capitalized—suffers.  We don’t want to pay for cooperative ventures where the entire human race, and other species, might benefit.  That we deem too expensive.  After all, there’s only so much money to go around for bombs and missiles and whatnot.  How are we supposed to protect that which we’ve extorted from others if we don’t have a massive military?  I suppose we could hire freelancers, but then, that costs money.

 

Book Culturing

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The other day I met one of the organizers of the Easton Book Festival.  Coming in October, this festival is something new.  It took the efforts of a couple with vision—the owners of a small, independent bookstore—to get other people on board, but now it’s going to happen.  A weekend dedicated to books.  I found out about the Festival as I was looking up area bookstores that might let me do a presentation on Holy Horror.  For whatever reason, my last book missed its projected autumnal publication date, and fall is when people are really thinking about horror movies.  Approaching its birthday in late December, it never really had a proper launch.  Priced the way it is, I don’t expect a sales boost, but I would like people to know about it.  When you spend years writing a book you’d like it not to be completely obscure.

In any case, when looking up one of the Easton shops—hey, book lovers, the Lehigh Valley has lots of bookstores!—I noticed that the Festival was still seeking participants.  Since it falls just before Halloween, the timing felt perfect.  I signed up.  Now this is one of the many new tricks for this old dog.  I tell authors all the time that self-promotion is key to book sales, even when a press is fairly widely known.  In fact, the store owner himself writes books and has to pay for his own tours to promote them.  Book culture is worth promoting.

On a personal level, it does me good to see that there are others who appreciate books.  They are a form of collective mind.  A communion.  When I’m feeling down, or uninspired, a trip to a bookstore—or even a library—often helps.  Reading books leads to a sense of accomplishment.  Every year I set a goal on Goodreads.  I don’t set the goal to make me read—I’d do that anyway—but to share with others both what I’ve been reading and what I think about it.  The Easton Book Festival will be a way of doing something similar, hopefully with those many others who feel the draw of books.  Writing, for me, is a labor of love.  I don’t know too many people personally, so meeting them through books is one of my own goals.  Just the other day I met an academic who wanted to read Weathering the Psalms.  Such things happen only in that wonderful land built of books.

Turin Turnabout

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Turn about, they say, is fair play.  Turin, on the other hand, is a city in Italy.  Its claim to fame is a shroud housed there that is believed by many to be Jesus’ burial cloth.  Tests have been done over the years, most authoritatively a carbon-dating done by three independent laboratories, with the results suggesting a medieval origin to the cloth itself.  In case your chronology is a little hazy, the medieval period comes centuries after the time Jesus lived.  Now, some thirty years after the definitive study, some scientists are questioning the results.  They’re being skeptical of the skeptics.  Turn about.  According to a story in The Catholic Register, a Freedom of Information Act request, honored only by one of the three labs (the one at Oxford University) has revealed that the bits of the shroud subjected to analysis were the worst possible parts of the cloth to test.  Herein lies the rub: scientists like to poke holes in credulousness—what do you do when your science is itself the subject of skepticism?

The Shroud of Turin, like Donald Trump, is one of those utterly arcane artifacts that unites Catholics and Evangelicals.  When I was growing up these two groups were the cats and dogs of the theological world.  They united under the umbrella of conservative social causes during the Bush years and have been sleeping together ever since (while both convinced that the other is going straight to Hell when it’s all over).  You see, the Shroud is a Catholic possession and allegedly bears wounds that support the Catholic narrative.  (The Vatican has never declared it an authentic relic, however.)  Evangelicals see it as proof positive that Jesus was resurrected, and so they tend to go further than the Catholics in citing it as proof.  We live in odd times when believers successfully out-skeptic the skeptics.

Since the other two laboratories (the University of Arizona and the Swiss Federal Institute of Technology) haven’t released the raw data, the grounds for a conspiracy theory grow fertile.  When information is kept secret, that’s a natural enough response.  The conspiracy-prone mind asks why the data isn’t being made public.  They do have a point.  The claims of religion are often hoisted on the petard of “no evidence” and when evidence (such as the lab results) exists but isn’t shown, that suggests somebody’s hiding something.  I have no vested interest in the authenticity of the shroud, but we all should have such an interest in getting at the truth.  The turnabout in this case, however, was completely unexpected.

Summertime Boos

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There are so many of them that it’s difficult to keep up.  Movies, I mean.  And they can be an expensive habit.  As some readers may know, I’ve followed The Conjuring franchise pretty much from the beginning.  That particular film was long anticipated (at least in certain circles), but still I waited until it was available for home viewing to see it.  I always feel kind of selfish going to the movies on my own since they are a kind of event—a form of social outing.  For me, however, horror movies are research, but that hasn’t taken away the thrill of seeing one on the big screen once in a while.  The Conjuring branched off into the Annabelle movies, and I caught the latest offering in the latter series in a theater.  I hadn’t realized that The Curse of La Llorona had been released a couple months earlier, and that it was being considered part of the diegesis.  It was back to the small screen to catch up.

La Llorona is based on a Mexican folktale and is tied to the other films in its universe by a character who recurs from Annabelle, Fr. Perez.  He’s not the protagonist, but he does introduce one way in which horror responds to the present insanity we call the US government—the character who defeats the fiend is hispanic.  In fact, most of the characters in the film are from hispanic families in Los Angeles.  They take down the ghost without the assistance of border guards or any kind of wall.  They don’t need the simpering help of the GOP.  Like most of the movies in this franchise, however, they do make use of religion.

When Fr. Perez can’t offer immediate help to the family beset by La Llorona (“the weeping woman”), he points them to a local shaman.  In this otherwise Catholic world, the truly amazing outcome is that the faith healer does possess the knowledge and ability to stop the evil.  While the backstory of the ghost is well known, the nature of the entity is a bit unclear.  Most Conjuring films feature a demonic presence, so it’s kind of a relief to have a garden variety ghost for a change.  You see, when Ed and Lorraine Warren challenge entities in these movies they do so with religious accoutrements which tend not to fail.  Ghosts, however, traditionally don’t require a religious banishment.  We’re entering new territory here, of course.  And I hadn’t even known about this film until after I’d seen its predecessor.  How can you hope to keep up with spirits?  It’s a full-time job. 

Begetting Fear

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Out on the nearby rail trail I use for jogging I often hear it.  Gun fire.  There’s a shooting range—out of sight, and hopefully, out of reach—not far from the path.  The loudness of the discharges, even from this distance, is enough to make you jump, even in mid-stride.  Often as I’m getting my exercise I reflect that fear begets fear.  Many people purchase guns because they are afraid.  Statistics support—although mass shootings must be catching up—that the vast majority of those shot receive their wounds from a family member because there’s a gun in the house.  And that only makes people more afraid.  Fear begets fear.  And a cycle of madness begins.  American exceptionalism convinces us that just because no other developed nation in the world experiences this level of gun violence the solution is to buy more guns and that military assault weapons should be available to the mentally unstable.

As life in Trump’s America erupts into the summer of hate, at least 31 people are dead from mass shootings, and the GOP stands firmly with the perps.  In the United States alone among “developed” nations this level of gun violence is prevalent.  In this country alone do the levels of poverty near the 50% mark while the top 1% give us guns with which to play.  If you elect a hate-filled man, society will become hateful.  Gun violence existed before Trump, of course.  Mass killings have been a problem as long as the Republican Party has been owned by the NRA.  Add racial hatred and people will die.  The GOP wouldn’t recognize an elephant gun if it saw one.

Fear can be treated.  While I’m no specialist, my own form of exposure therapy involves watching horror movies.  What more horror can there be to a society bent on mass murders and an oligarchy that turns a deaf ear?  To some madnesses there may be a method.  The movies I watch are, ironically, coping mechanisms.  In the midst of all this violence, one wonders at the utter lack of moral rectitude on the part of Republicans who loudly bray that gun ownership will make us safe.  Perhaps they hope we’ll become numb, at least on our way to the voting booth.  If we learn to deal with fear it can be subdued.  So I’m out jogging, listening to the rapid fire of guns somewhere out of sight.  And I’m pondering how fear often has the last laugh while the rest of us weep.

Positive ID

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It’s a little bit worrying.  Not just the GOP’s indifference in the face of two mass shootings on the same weekend, but also the fact that the internet knows who I am.  I am the reluctant owner of a smartphone.  I do like that I have the internet in my pocket, but I’m a touch paranoid that I can be traced to anywhere unless I lose my phone.  Even then the government can probably email me and tell me where it is.  Don’t get me wrong—I’m not important enough for the government to pay attention to me, but what is really worrisome is that the web knows me.  Here’s how I came to learn that.  On my home computer I had done a rather obscure Google search.  (If you read this blog that won’t surprise you, and no, it wasn’t anything naughty!)  When I signed into my work computer—different username, different email address, different IP address—and had to do a work related search, Google auto-suggested the search I did on a different computer over the weekend.

I’m savvy enough to know that Google metrics are all about marketing.  The internet wants customer information to predict what they might sell to us.  Advertisers pay for that.  Assuming that I want to buy underwear and summer dresses online (why?), they tailor their ads to sites I visit.  As a sometime fiction writer I go to some sites from which I’m not interested in purchasing anything.  (As an aside, old fashioned book research didn’t leave such a “paper trail.”)  I’ve gotten used to the idea of my laptop knowing me—it sits on my lap everyday, after all—but the work computer?  Does it have to know what I’ve been doing over the weekend?

Artificial intelligence is one thing, but hopping from one login to another feels like being caught in the shower by a stranger.  Like everyone else, I appreciate the convenience of devices.  When I get up in the morning my laptop’s more sure of who I am than my own sleep-addled brain is.  That doesn’t mean my devices really know the essence of who I am.  And it certainly doesn’t mean that my work computer has any right to know what I was doing on another device over the weekend.  Those who believe machine consciousness is now underway assume that this is a step forward, I suppose.  From the perspective of one who’s being stalked by electronic surveillance, however, the view is quite different.  Please leave my personal life at the door, as I do when I go to work.

The Sound of Musik

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“Why is there so much people here?”  The words aren’t mine, but those of a random stranger I heard in Herald Square.  Not only was it grammatically offensive, I always find “much people” in Manhattan, but this was the occasion of the Pope’s visit a few years ago, so more of us were crowded into that area than normal.  It was a feeling that returned last night as my wife and I wandered around Musikfest.  If you’re not from around here, Musikfest is the largest free music festival in the United States, and it takes place in Bethlehem each summer.  Ten days of free, live music and tents hawking wares and all kinds of comestibles, as well as that strangely satisfying feeling of being lost in a crowd.  We ended up there more or less accidentally.

I was an experimental subject.  Those of you who know me will probably not find this odd, and you may well come up with many reasons to find me in the psychology department, some involving locked doors.  This was, however, a voluntary research project that required participants and it had been literally decades since I’d volunteered to be one of the “much people” who was not not part of the university crowd.  It felt good to be on a campus again.  The Lehigh Valley hosts several colleges and universities, and that draw is perhaps related to why Musikfest is held here.  When we got to town my wife realized we might have trouble parking.  Sections of downtown Bethlehem are closed to traffic and there are people everywhere.  I finished my experiment and we became part of the crowd again.

Music and religion, I’ve noted before, hang out in the same crowd.  They both have the ability to be transcendent and people seek out such experiences.  Since we hadn’t planned on attending—accidental musicologists we—we had no groups as targeted hearing while we wandered.  Mostly we marveled at the size of the event.  The city of steel transformed to the city of music.  And the religious feelings music brings.  As I walked from the college back to downtown, a couple strangers accosted me.  “Hi, brother,” they said.  “Heading to Musikfest?”  This, I realized was a congregation.  I was an unknown brother.  Music brings peace.  Dona nobis pacem, sisters and brothers.  Like those crowds a few years back hoping for a glimpse of the pontiff, an entire city had kicked off its shoes for a Friday night of potential transcendence.  Why is there so much people here?  Simply listen and you’ll have your answer.

Ghouls and Dolls

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It was my plan—as if plans ever really work out—to see Annabelle Comes Home on opening weekend.  July got away from me but I finally found my way to the theater yesterday.  My current book, Nightmares with the Bible, deals with demons in cinema.  One of the chapters covers The Conjuring universe, and since this is the sixth film in that diegesis (with one tangentially attached spin-off) watching the movie was as much research as it was fun.  While the demon utilizing the doll Annabelle is clearly the main villain, the film, as in most of the franchise, interjects any number of entities.  Ed and Lorraine Warren, in real life, kept a museum of occult objects in their house.  This room contained items that had figured in their cases—they maintained demons didn’t possess objects, but people—including the doll Annabelle.

The new film maneuvers three girls (Judy, the Warrens’ daughter, her babysitter, and a friend) into the house alone.  One of the girls releases Annabelle from her blessed case, and a nighttime of terror ensues.  The demon behind Annabelle animates several of the haunted objects, so the girls have to deal with many ghoulish threats.  The film knows it is following tropes such as a car breaking down by a cemetery at night, and the idea of a babysitter being attacked by monsters, and at times it gives a slow wink to fans of the genre.  Still, there are plenty of genuinely creepy moments and a few jump startles.  It also shows the clearly demon in its “true form” at the climax of the film.  When it does so, it matches traditional renditions.

Set to become the highest grossing horror series of all time, The Conjuring universe mixes films that claim to be “based on a true story” and others, such as Annabelle Comes Home, that use real settings but without claiming to follow actual events.  What I found engaging about this particular movie was the fact that the youngest girl, Judy Warren, was the one who figured out how to re-capture the demon.  There are holes in the plot, of course, but featuring a young woman not requiring a man’s help to trap a demon is somewhat unusual in a Catholic diegesis.  True, she doesn’t perform an exorcism, but Judy does contain the evil without a priest, or even her father’s direct help.  As this diegesis wends its way into American folklore, moments like this are increasingly important.  Even though there are demons here, the women don’t require men to do the heavy lifting. 

Witch Way from Here?

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Häxan is often considered a horror film.  Produced by Benjamin Christensen, it was released in 1922, the same year as Nosferatu, eine Symphonie des Grauens.  Both are silent films and the term “horror movie” didn’t exist that early.  Framed as a documentary of sorts, Häxan deals with witches, or more precisely, with ideas about witches.  Taking a remarkably modern view, it presents how the church led to the persecution of women during the witch hunts.  It had been on my “to see” list for many years before I realized it is now in the public domain and is rather easily found on YouTube for free.  It presents reenactments that are still difficult to watch, although silent films have a difficult time scaring viewers used to CGI verging on virtual reality.

Banned in the United States upon its initial release, the movie dares address that sacred ruminant, the foibles of the church.  Christensen was largely correct in placing the blame for harm inflicted on thousands of innocent people—mostly women—on the zeal of a masculine church.  The prolonged dramatization of the destruction of an entire family based on forced confession and trickery, often by well-fed monks, makes the point clearly.  While modern explanations have recourse to the psychological motivations, often unknown to those whose worldview was ecclesiastical, we still haven’t relinquished the misogyny of the Middle Ages.  Considering that Häxan is nearly a century old itself, there’s cause for embarrassment in a world largely run by technology.  We still tend to ban that which causes us ridicule.  

When tragedies occur, it’s only too natural to blame someone or something for it.  Why the burden of that blame was laid on women by a male hierarchy is sadly only too easy to guess.  Häxan is one of those examples of the way horror can cross over between fact and fiction.  Today it can’t be taken as a documentary with any kind of seriousness, but it maintains an atmosphere of dread that finds it classified as horror before the genre itself began.  Movies about witches continue in the genre up to the present, and most are quite aware of the male culpability behind this particular variety of “monster.”  To test if witch trials continue all we need to do is watch how men in power continue to behave toward women.  It’s almost enough to make us believe hexes are real.