Theoretical Monsters

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We’ve had a lot of rain lately. One rainy night over this past weekend I talked my wife into watching Dracula with me. It’s been a few years since I’ve seen this classic myself. Difficult to believe that it was ever scary. This is the film that launched the horror genre that has become such a major part of the entertainment industry. It has the right mood for a rainy night. Movies were paced much more slowly in the 1930s, and viewers are given ample time to drink in what’s happening. In some current day films the cross-cutting in action scenes is so rapid that I really have no idea what took place. Dracula is slow, stately even. Thinking back, I believe this was the first monster movie I ever saw, so it has a resonance with me. When Renfield balks at the huge spider web in Dracula’s castle, the vampire quotes from Leviticus—“the life is in the blood.” Monsters are religious creatures.

A year ago in January, with the help of two colleagues, I proposed a new unit for the American Academy of Religion annual meeting—Monsters and Monster Theory. After working on this proposal a couple of months (strictly off work time for me), the new unit was declined by the academy. We decided to try again. This year our exploratory session was approved. The idea had come to me when I noticed that papers on monsters and religion had been on the rise, but there was no central forum to discuss them. They were like zombies without a shepherd. Not being an academic, I couldn’t start the session by myself. Now the society agrees that we’re worth at least one meeting room and a couple of hours to see whether the topic might become a recurring one.

Some people, I’m well aware, find this combination odd. Religion, after all, is about sweetness and ethereal light. Being nice to one another. Things like that. Monsters, on the other hand, inhabit the dark. They’re creepy and unsettling. They’re also wonderful metaphors for so much of life. What some of my colleagues have come to realize, and the academy seems to be backing us up on this, is that if anyone can understand monsters, religion can. Psychology will continue to try. Literature will continue to create them. Scholars of religion, however, are those who would like to bring some order to a chaotic world. We study monsters to learn about what it means to be human. It has been raining quite a lot lately.

Crossing Beowulf

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Beowulf, from Wikimedia Commons.

Slaying dragons is costly. In much of the western hemisphere the ultimate metaphor for the perils that await humanity in a world imperfectly understood, dragons were the bane of the medieval imagination. And earlier. Dragons are mentioned in the Bible and were stock creatures in the bestiaries of the Mesopotamian imagination. And, of course, it is a dragon that causes Beowulf’s fall. Almost a type of a latter-day Gilgamesh, Beowulf likewise holds an early, if non-negotiable place in the western canon. In this month’s Atlantic, James Parker discusses the dynamic of this pre-Christian poem in our post-Christian context. Specifically he addresses how modern renditions, perhaps inadvertently, Christianize the story. A popular subject for movies and graphic novels, Beowulf is a monster-hunting story that begs for baptism.

The story itself is familiar to most alumni of American high schools. Perhaps before we’re ready to be exposed to Old English, we find ourselves assigned a story of drinking, rage, and violence. Make no mistake—Beowulf is a hero. A deliverer like the judges of old. Grendel, after all, is the spawn of Cain, the evil seed that continues into a moody world of stygian nights and dismal swamps. Parker’s brief article demonstrates the reception history of the poem nicely. It also raises the question of what’s going on when heroes fight monsters. When the Christian imagery that’s deeply embedded in our culture comes to play Beowulf can’t help but become a Christian monster slayer just as Grendel becomes the enemy of God. All of this may be quite unintentional. What we see, however, isn’t imaginary. That’s the way reception history works.

Parker suggests that, although Beowulf is a pre-Christian poem, the cosmic order laid out in the tale is a Christian one. Even today in a post-Christian America it’s vital to understand how important religion remains. It’s not so much that churches are overflowing (unless they’re mega-churches stating that you can get rich by attending) as it is a recognition that centuries of Christian identity can’t help but leave their mark on culture. We see crosses in the handles of swords. Or even in the grid patterns laid out in city streets. Telephone poles. What’s so remarkable is that we see such things naturally and think nothing of it as we go on our secular way. There may be monsters out there. What may not be so obvious is that in slaying them we’re engaging in a religious activity as old as Gilgamesh, if not as obvious as a crucifix held up to a vampire in the present day.

Strange Worlds

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The Bible can lead you astray sometimes. Don’t worry, it’s unintentional, I’m sure. It has less to do with the Bible itself than with the way it was compiled. Any book written over centuries by different people is bound to show some inconsistencies. Unfortunately some of those inconsistencies are about things people really want to know. What happens when you die, for instance. Pretty important to get that one straight. The Bible has shifting views about that, and those views led to ideas such as Heaven, Hell, Purgatory, and reincarnation. Wait, what? Reincarnation? Isn’t that an eastern religion thing? That’s what I always thought. Then I read the provocative Between Worlds: Dybbuks, Exorcists, and Early Modern Judaism by J. H. Chajes. This started for me, as things often do, with a scary movie.

Some time back I watched The Possession. For those of you who haven’t seen it, it regards a Jewish exorcism—based on a true story, it says, but aren’t they all? Now demons exist in the Hebrew Bible, but the monster in this movie wasn’t exactly a demon. It was a dybbuk. Sharing the Gentile liability, I wasn’t aware of what a dybbuk was. A religion professor in the movie tried to explain it, but I had to read a book. Between Worlds seemed the best place to start. What a fascinating book this is! Anyone who’s interested in the history of exorcism, whether Christian or Jewish (and perhaps even Muslim) will find abundant information here. Jewish exorcism? Much of it depends on how one understands the concept of “soul.” It also depends on who’s doing the possessing. A dybbuk is a displaced human soul from someone deceased. If it can’t get into Gehinnom (which Jesus mentions a time or two) it reincarnates into an available body, often sharing it with the resident soul.

From there things only get more unusual. For those of us who know about exorcism from the movie (you know the one I mean) or even from Chick tracts, the idea that a human soul (which can be good or bad, depending) can possess someone is unexpected. The fact that reincarnation developed from the same Bible that gave us Heaven and Hell is equally surprising. I suspect it’s because the Good Book doesn’t give a clear picture of what comes hereafter. The Hebrew Bible has Sheol, and the New Testament adds Heaven, Gehenna, Hell, and the underpinnings of Purgatory—a buyer’s market for the afterlife. With that being the case I suppose it’s to be expected that some spirits prefer to move from house to house. To learn what’s available Chajes is an excellent choice.

Signs and Portents

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Horror movies are, of course, more than escapism. Although it’s taken many years academics are starting to pay some attention to them. Because of a conversation with a colleague this past week I felt compelled to watch The Omen again. The current political situation merits such viewing, in any case. Interestingly, the first time I saw The Omen—which was during a spate of unemployment—it didn’t scare me much. Like most classic horror, the scenes that had everybody talking in the mid-‘70s had been described so often that they failed to shock. All that was left was a dispensationalist tale of the end of the world—non-biblical, and the fright only came from belief. This time, however, I could see it as nothing but a film about a political takeover.

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With the open admission on the part of Steve Bannon that his administration—let’s not kid ourselves here—intends to dismantle the government we’ve had in this country since around 1776, we can see that this election was only an excuse. Knowing that this dark side of human nature (some call it the Devil) won’t be given a chance again—they didn’t win the popular vote this time around and unless they silence the media they won’t win the next one—Bannon’s crew, like Damien, has to deconstruct quickly. The Republican establishment, unless it opens its eyes soon, will find itself locked outside as well. Ironically, it’s the public that can see this, not the elites. It’s as if George III were back from the grave. Power, as The Omen intimates, is incredibly seductive. The GOP, wrongly supposing it will share it, goes along with nominations that have now been openly declared agents of destruction. Where is Revelation when you need it?

The Omen is all about Satan getting a back-door entry to the White House. The politicians are all easily duped. Evangelical Christians have been brainwashed into thinking that only by voting Republican can they prevent abortion and gay marriage—two decidedly non-biblical issues. You see, the Devil works that way. Scripture says he can disguise himself as an angel of light. People who don’t educate themselves are very easily fooled. We’ve followed the script rather precisely. Satan’s greatest tool, it’s said, is that people don’t believe in him. So after you finish reading 1984—which we all should—watch The Omen. Ponder what inviting evil to take over the one remaining superpower might really mean.

Dreaming Reality

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The problem with monsters is that they’re not easily reduced to a lowest common denominator. This becomes clear in an article about the under explored (from a western perspective) monsters of Australia. Christine Judith Nicholls, in “‘Dreamings’ and place – Aboriginal monsters and their meanings” (sent by a friend), describes many of the scary creatures of the outback. The article title references Dreamtime, a kind of aboriginal journey that ties into indigenous Australian religion. The division between imagination and reality isn’t as wide as we’re sometimes taught. (More on this is a moment.) Nicholls’ article demonstrates that many of these monsters impress on children the dangers of wandering away from parents. Indeed, that is clearly part of the socializing function of monsters. The question, however, is whether that’s all there is to monsters or not. (Nicholls doesn’t use reductionistic language—she does note this is a psychological explanation.)

In an unrelated article in The Guardian, by Richard Lea—“Fictional characters make ‘experiential crossings’ into real life, study finds”—researchers suggest that fictional characters seem to appear in “real life” from time to time. All those who read fiction know this phenomenon to a degree. Just because someone is completely made up doesn’t mean that s/he doesn’t exist. Since our minds are the ultimate arbiters of reality, fictional characters and monsters may indeed be “real.” This isn’t to suggest that physical, flesh-and-blood imaginary beasts lurk in the dark, but it isn’t to suggest that they don’t either. Reality is something we haven’t quite figured out yet. The more we think about it, the more it appears that both hemispheres of our brains contribute to it.

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When the morning newspaper raises alarm after alarm about the frightening tactics of the Trump administration the temptation is to give up to despair. That’s not necessary, actually. Reality requires our consent. Imagination can be a powerful antidote to the poison spewed by politicians. What fictional character—or monster—might step into a situation such as this to make it right? If the power of millions of smart minds were concentrated on such a being, would it not become real? Friends have suggested over the past four months that the arts—creativity—are going to be especially important in the coming years. If we are to survive evil we’ll have to use our imaginations. That’s something that the aboriginal peoples can teach us, if only we’re willing to believe.

Devil of a Time

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thedevilOne might be excused for thinking so much about the Devil these days. Displays of lies and evil intentions are on pretty obvious display at the highest levels. Indeed, the current political situation has me reassessing my skepticism about the Antichrist. One of the truly well thought out books on the subject is Jeffrey Burton Russell’s classic, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity. The first in a series of books Russell wrote on the topic, The Devil opens with evil. Noting that the Devil defies easy definition, Russell begins rather disturbingly with literary descriptions of acts that can only be described as evil. This allows him to point out that real life events often surpass those that authors can get us to read, intimating that something is seriously wrong with the world.

Having noted that, the emergence of the Devil is not an easy one to trace. Evil has been recognized in many cultures and it has been explained in many ways. Some have personified it, but even that took a long and circuitous route to the dark lord we know today. Bits of Greek philosophy and Zoroastrian cosmology combine with an emerging monotheism among the Israelites and their kin until eventually we have an embodiment of evil appearing. Even so, the Bible has no clear image of who “the Devil” is. This took further developments beyond the New Testament and the image that eventually won out, so to speak, borrowed heavily from classical mythology. Eventually Old Scratch emerges in a recognizable form.

Belief in the Devil still runs high in American culture. I suspect it will run even more so in months to come. At the end of Russell’s well researched study, the Devil comes down to the blatant disregard for the suffering of others. One might think of the mocking of the disabled or the favoring of the wealthy over the poor. Evil may be known by many names but it is easily recognized by those not caught up in its worship. This became clear in the biblical quotations sprinkled throughout the book. “Woe unto them that call evil good, and good evil,” for example. Or “when an ungodly man curses Satan, he curses his own soul.” Mirrors may serve multiple purposes. The vain look into them and see only beauty. Those who believe in the Devil can’t help but know who it is that stares back.

Know Your Monsters

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at-stakeEdward J. Ingebretsen is one of the most intelligent analysts of monsters about. That may seem like a small order, but it’s not—many people write about monsters, and Ingebretsen is one to whom attention is owed. At Stake: Monsters and the Rhetoric of Fear in Popular Culture is not an easy book to read. Narratively sophisticated, it takes on some issues we’d rather not have addressed. One of the great myths about monsters is that they’re all for fun. The current understanding of monsters gives the lie to that worn adage. Monsters tell us something extremely troubling about ourselves and we don’t like to have someone pointing it out. When hearing that some of the monsters considered are Jeffrey Dahmer and Susan Smith, the prospective reader might wrongly assume why. The monster may not be whom one expects. Indeed, Bill Clinton makes his way into the discussion, as do Andrew Cunanan, O. J. Simpson, and Matthew Shepard. Be not quick to judge, however; you must pay attention.

As most writers on monsters recognize, religion often fuels them. Without belief monsters have no power to scare. We’ve probably all seen horror films that underscore this point. If a creature is unbelievable it loses its ability to be frightening. The movie invariably ends up in the B category and is appropriated for laughs or for an example of how not to make a film. Ingebretsen knows that to understand monsters we must understand ourselves. We too often allow unspoken prejudices (which are sometimes nevertheless shouted aloud) to inform our opinions of what is deviant or evil. Just look to Washington and see if you can disagree. The more we tease these monsters apart, the less they conform to expectations.

As implicated by his title, a great deal is at stake in coming to grips with monsters. They aren’t just for childhood Saturday afternoons anymore. It may be that they are one of the healthiest means for dealing with the steady stream of fear flowing from the District of Columbia. Without our metaphors, we are lost. Those set on destroying monsters have no concept of just how terribly helpful they are. You can’t be sure who the beast is, they are so very protean. They will, however, get you through some dark nights. Not without scars, but wiser, if a touch more melancholy, in dawn’s cold light. Take monsters seriously. It’s the only way to survive them.

Made of Clay

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golemInvestigating a new field, at least on an academic level, involves a little disorientation. Part of this derives from the fact that academics didn’t use to write about monsters. Another part of it, however, is that those who do such writing have been doing so while my attention was elsewhere. It’s not easy to learn dead languages reasonably well. I didn’t pay much mind to the golem, being as it is, a “modern” monster. Probably responding to early modern pogroms, the golem was considered a defender of persecuted Jews. He was, however, a mindless defender. Made of animated clay, the golem was brought to life by magic and could only be killed in the same kind. Maya Barzilai has written a masterful account of how this monster relates to war. Golem: Modern Wars and Their Monsters explores how modern golem stories (and there are many) tend to relate to situations of conflict.

I had read about the golem before, and had trouble locating many academic resources on the creature. Barzilai demonstrates how much there is to ponder. It seemed, prior to reading her book, that the golem was mostly obscure, but it turns out that many writers, artists, and filmmakers have appropriated the clay giant over the years. Those who trace the history of comic books suggest that Superman was originally a kind of golem figure. I hadn’t realized that the golem had his own short-lived comic book series. When a people are persecuted repeatedly, having a secret weapon may not seem a bad thing. But the golem is difficult to control. It rampages. It can kill the innocent. Barzilai raises the question of whether a people with an unstoppable weapon are ever justified in using violence.

That question hangs pregnantly over the present day. The rich white men that run this country feel that they’ve been oppressed. Not willing to admit that it’s morally reprehensible to treat women as objects (they’re “hosts,” we’re told), blacks as inferiors, or hispanics as illegal, they bluster away about family values that aren’t consistent with anything other than threatening those who are “different” into submission. And yes, the Jews are among those these white men scorn. I wonder where the golems have gone. It could be that, like those of us self-identified as pacifists, that those who know how to make golems simply can’t justify violence. Barzilai didn’t intend for this in her book, I’m sure. Still, each new era brings new perspectives to these monsters made of clay.

By Any Other Name

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nakedundeadGood and evil. Well, mostly evil, actually. No, I’m not talking about Washington, DC, but about horror movies. Cynthia A. Freeland’s The Naked and the Undead: Evil and the Appeal of Horror is a study that brings a cognitivist approach to the dual themes of feminism and how horror presents evil. It’s not as simple as it sounds. Like many philosophers Freeland is aware that topics are seldom as straightforward as they appear. Feminists have approached horror films before, and other analysts have addressed the aspects of evil that the genre presents, but bringing them together into one place casts light on the subject from different angles. Freeland begins this process by dividing her material into three main sections: mad scientists and monstrous mothers (which allows for the Frankenstein angle), from vampires to slashers, and sublime spectacles of disaster. Already the reader can tell she’s a real fan.

One of the simplistic views of horror is that these kinds of movies—particularly slashers—are misogynistic by their very nature. Feminists, including Freeland, question that assumption. Horror is a genre with a decidedly checkered history. Some films do feature mostly female victims to male monsters. Not all do, however, and even those that do may be saying something other than the obvious. Looking for the locus of evil in these movies provides a lens that focuses the meaning somewhere other than the surface. This is one of the benefits of philosophy—probing questions may be asked and unexpected answers may result. Along the way you can have a lot of fun, too. Especially if you watch horror movies.

A large part of the criticism probably arises from the fact that film making was, for much of its earliest history, run by males. That’s not to say women couldn’t do the same thing men were doing, but the opportunities simply weren’t there. Most film makers, I expect, have trouble getting out of their heads to think about how someone of a different gender might perceive this kind of movie. Fear, we are told, is “coded” feminine. It seemed natural to such film makers to put the female in peril since both women and men would respond to it. Since then it has become clear that fear isn’t coded for gender. Indeed, one of the hallmarks of modern horror is that we all have cause to be afraid. Fear is no respecter of gender. Freeland’s analysis, now getting on in years, correctly looked ahead in many respects. Especially concerning the ongoing presence of evil.

Alternative Reality

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devilsdominionIt is a caution that may become increasingly necessary as Trump’s supporters of “alternate facts” begin to sink their insidious hooks into feeble American minds that magical belief is part of our culture. While most would deny it in any kind of direct way, from the earliest days we have been a credulous lot. Richard Godbeer explores this historical affinity in The Devil’s Dominion: Magic and Religion in Early New England. Mostly concentrating on the events that led up to the Salem Witch Trials, and some analysis of the trials themselves, he traces the origins to such belief back to the theology of Calvinistic Congregationalists who held undisputed sway in the earliest days. Without benefit of clergy who might urge them to look at the world as a good creation, people instead saw evil and the Devil lurking everywhere. Magic was a regular component of their intellectual diet.

Now, some three centuries later, it’s looking as if things haven’t changed much. Those closest to the highest office in the land—and more frightening still, the most powerful single office on earth—are claiming that facts can have alternatives (what used to be called “lies”) and that if a rich man feels offended reality must be rewritten to make him feel better about himself again. The rewriting of history and science and law is really a mere trifle if you can claim “alternative facts” whenever you please. I wonder what you might find in Alternative Facts on File? I had a chance to thumb through recently and here’s what I found:

Alternative fact 1: Donald Trump didn’t win the election after all! We got the wrong guy in the White House. It’s a fact. Alternative fact 2: the Electoral College was abolished on November 8, 2016. That means that the popular vote wins the White House and Hilary Clinton is, in fact, President of the United States. Go ahead and challenge me on any of this Sean and KellyAnn—for any of your facts I can offer alternatives and they are, by definition, equally valid. Who’s with me? As long as alternative facts are now official discourse supported by the White House, let’s use them to the advantage of the entire nation. Is there a lawyer in the house? Even a Jesuit would do. The one I feel sorry for, however, is Richard Godbeer. His fine book has had to play Devil’s second fiddle to the new reality of post-truth Washington. Maybe the White House really does believe you can shake the Devil’s hand and say you’re only kidding. Wake up, America—you’re being laughed at and mocked by your own government.

Looking for Light

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The one problem with Halloween is that most people suppose that when it’s over we need to wait another year for the scary stuff to come around again. Since we tend to skip from holiday to commercialized holiday, we have a capitalism-induced mindset of Halloween—brief pause for Thanksgiving—Black Friday—Christmas, spending money all along the way. Halloween, however, is a marker that stands near the beginning of half the year. The half with short days and long nights. Traditionally the holiday associated with ghost stories was Christmas, which falls near the shortest day of the year. Once the light starts creeping back, however, we tend to find reason to be optimistic that the chill can’t last forever and light follows darkness just as surely as life ends in death. All of this is prologue to say that a friend recently sent me a story about Irish witches which got me to thinking about origins once again.

The story, a piece called “Witches of Ireland,” by James Slaven, tells a few tales of Hibernian lore involving witches. As I read the article I was thinking about the origin of witches. Some of the phenomena associated with witches parallels that associated with demon possession—contortion, spitting up needles and nails, even levitating. There is a complex of ideas here that revolves around unseen forces that are categorized as evil. We tend to think the Enlightenment opened the door and shed strong sunlight into the closet, but that’s only true for half the year. The other half we’re mostly in the dark.

Pondering origins, I wonder where these associations began. We have no “histories” to tell us whence these ideas arose. Witches and demons both had, in Christianity, associations with the Devil. That connection doesn’t apply in other religions which, I suspect, is where the origin of many tales of witchcraft lie. You see, the Christian god is a jealous fellow—it says so right there in the Good Book—and displays of power over nature that most good monotheists lack will always be suspect. Perhaps we need to pay more attention to our pagan forebears.

Source: www.imagesfrombulgaria.com; perspective- and color-adjusted by Martha Forsyth (Wikimedia Commons)

Source: http://www.imagesfrombulgaria.com; perspective- and color-adjusted by Martha Forsyth (Wikimedia Commons)

These are merely nighttime thoughts, written in the dark. Already I begin to see the sun rise as I reluctantly trudge eastward across the island of Manhattan. I welcome the longer days, but somehow I strangely miss the comfort of the longer nights of yesteryear.

Hopeful Horror

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joneshorrorI don’t make New Year’s resolutions. To my way of thinking, if I’m aware I’m doing something wrong, I try to change it at that point, rather than waiting. Needless to say, then, I’m up to my old habits of reading about horror movies. Actually, Darryl Jones’ Horror: A Thematic History in Fiction and Film goes a bit broader than just the cinema. As the subtitle indicates, this charming book also addresses narrative fiction as well and the result is quite engaging. Divided thematically, Jones considers the various types of horror without delving into pretentious theorists to give him academic credibility. Here is a true fan who’s capable to sharing the excitement of the genre. Along the way, accompanying the usual observation that horror and religion share considerable conceptual space, he makes the point that in movies horror is one genre that makes use of academics as characters of authority. Sure, there are others, but in this realm to be educated is a benefit, whether the plan is to take over the world or to stop some evil force from doing the same.

I’ve been watching movies that can be broadly classified as horror since I was young. And I had admired—emulated to some extent—the professors and scientists I saw in those presentations. When a monster was on the loose, you went to find an expert to learn what to do. At the risk of contradicting myself, theorists have been suggesting that one of the problems with post-truth is the death of expertise. Anyone can be an expert these days. The question, “Why should I listen to you?” is on every self-appointed smarty’s lips. Earning a doctorate, the horror world tells us, gives you access to some kinds of knowledge that others don’t have. Problem is, zombies don’t respect such learning. They only want brains to consume.

It never seemed to me that watching horror was a means of learning. As a kid escapism is part of everyday life—taking things seriously is for adults. Growing up, however, I kept my love of scary movies in reserve. Little did I realize that it was a form of training. Now university-affiliated academics are finally able to begin admitting that they find monsters compelling. More than that, they actually learn something from them. Although not a resolution, I see myself reading further books about horror movies this year. It may be a naive hope, but it would be wonderful if they were all as insightful as this one has been.

Wild Things

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islanddrmoreauLast year my wife suggested we each do a reading challenge for the year. The one we selected was Modern Mrs. Darcy’s, which, with only a dozen books, seemed doable. What makes it a challenge is that to meet Mrs. Darcy’s expectations, you have to read certain types of books, not just go through the stack beside your favorite chair than never seems to get any smaller. I finished the challenge in October or November and posted on most of the books on this blog. This year’s challenge includes a book you’ve read before. Since I’ve been reading about horror movies I decided to reach back to childhood and once again read H. G. Wells’ The Island of Dr. Moreau. It was a timely choice.

For anyone not familiar with it, the story concerns a mad scientist (Moreau) who experiments on animals, making them “men” on an isolated island in the Pacific. These creations aren’t fully human and most of them are blends of different animals as well as part human. They can talk, and they can reason, in a rudimentary way. To create them without anesthesia, Dr. Moreau subjects them to tremendous pain and to prevent them from attacking him, he establishes a basic religion where they obey his rules or he will subject them once again to the “House of Pain.” The narrator, victim of a shipwreck, ends up on the island and has to come to an uneasy peace amid these very strange circumstances. The heart of the book is the chapter where Moreau explains what he’s doing and to justify it he makes a secular theodicy. He is, after all, god to these poor creatures. The book has been made into a horror movie or two over the years, but I’ve never seen any of the cinematic treatments.

What struck me as particularly interesting, revisiting this book some forty years after I last read it, was how easily Wells slips into theological thinking. This is a book unafraid of implicating the Almighty in the troubles of an island that clearly stands in for the world. I wouldn’t have noticed that as a tween. I don’t think there even were tweens when I was one. In any case, the story ends in chaos, rather than creation. What makes it such a timely choice? I suppose the arrogance and entitlement of Dr. Moreau suggested themselves as analogues to our current situation here in the US. Only Moreau is clearly intelligent as well as deranged. This little book is a cautionary tale of what happens when a strong will has its way, unimpeded. It might be a good time for all of us to pick up a copy.

Possessed by Work

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Now that I’m safely ensconced back in the daily work routine, I spend some time thinking of the scary movies I had time to watch during my “free time.” Well, I actually thought about them then, too, but I had so many other thoughts to write about that I kept putting it off. That, and the fact that some of the movies were about demonic possession and the juxtaposition of holidays and demons just didn’t seem to fit, kept me from expounding. Why watch such movies at all? It’s a fair question. I tend to think of it as part of a larger thought experiment—wondering what such movies might tell us about being human.

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A few weeks back I wrote about The Exorcism of Emily Rose, based on the true tragic story of a young woman who died after a prolonged exorcism. After that I watched The Last Exorcism, The Rite, and The Possession. (I’m such a cheerful guy, as you can see, and this may be why I inhabit an isolated cubicle at work.) This array of movies, held together by the common chord of the reality of demonic possession, also brought together the standard sociological division of Protestant, Catholic, and Jew. The Last Exorcism is a Protestant-based treatment of what is generally considered to be a Catholic subject. That connection is affirmed in The Rite. The Possession, however, gives us a Jewish demon and a rare representation of a Jewish exorcism (acted by Matisyahu, no less!). What emerges from watching all of these films together is that demons are an inter-denominational problem, even in a scientific world. Carl Sagan wrote about the demon-haunted world, and it continues to exist, it seems.

But these are movies we’re talking about. Not reality. Nevertheless, The Rite and The Possession are also said to be based on true stories. We do live in a mysterious world. Evolution has developed reasoning as a practical way of dealing with life in a complex ecosystem. It is a survival mechanism. So is emotion. We sometimes forget that both thought and feeling are necessary for survival in our corner of the universe. Neither one is an end in itself. We can’t quite figure out how these two features of the human brain work together. There are, in other words, some dark corners left in our psyches. I suspect that’s why I find such movies so interesting. They’re not my favorites, but they do serve to remind us of just how little we know. And that’s a scary thought, given how we’ve learned to possess this planet.

Prejudicial Monsters

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snowinaugustWitnessing injustice is traumatic. Especially when you’ve been conditioned to believe there is nothing you can do about it. That helpless feeling crushes you as you see the guilty, the powerful, the cruel getting away with whatever they want to do. This is the perspective of young Michael Devlin in Snow in August. Pete Hamill’s novel is full of observations about prejudice and ignorant blustering about those who are different in 1940’s New York City. Michael accidentally observes a robbery that may also be a murder. The perpetrator, an older boy who leads a gang in Brooklyn, hates Jews. Michael, however, has become the shabbos goy for a synagogue that has seen better days. Although a Catholic, he is curious about this strange rabbi he comes to know and what this other religion teaches. At the same time, Jackie Robinson is being called up to the Brooklyn Dodgers and prejudice about an African American playing in the major leagues sets up a parallel to the story of understanding the Jews.

It is an engrossing novel. I have to confess, however, that I read it because of the golem. A traditional Jewish monster, the golem is an animated being of mud that protects oppressed Jews. In the novel this begins as a legend Rabbi Hirsch tells the boy as they teach each other their native languages. Michael learns Yiddish as the rabbi learns English, and the story of the golem is part of the rabbi’s own sad history as a Jew during Nazi days. Then as Michael, his mother, and the rabbi are all beaten or molested by the gang, it is time for the golem to make his appearance.

Not exactly a monster story—as often in such cases the monster is someone recognized as fully human but without sympathy for those who are different—Snow in August is a thoughtful, almost nostalgic tale of “a simpler time.” What we learn, however, is that it wasn’t really simpler at all. Prejudice could be worn openly and proudly. What many of us may have forgotten, until recent elections forced us to remember, is that such hateful intolerance is still very common. We live in a world where hatred can be currency and bigotry has more power than we’d like to admit. Reading stories, such as Snow in August, will become increasingly important in days ahead. We will need to remind each other that even if only as metaphors golems do indeed exist. All we have to do is believe.