Read Ban

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Someone in the Greenville County Library doesn’t get out much. The LA Times reported this week that a surprised parent got a look at Alan Moore’s Neonomicon, a graphic novel that her child was reading, and went to the library to get it banned. There is a perverse kind of logic to this. The 14-year-old minor checked the book out from the adult section. The story doesn’t say why, but anyone familiar with H. P. Lovecraft would immediately see the familiarity of the title to his fictional Necronomicon. And anyone wanting to read that is surely above the age of innocence. As a result of this imbroglio another book has been banned. As the parent of a teenager I understand concerns about reading material, but then I know that graphic novels can be, well, quite graphic. I know because I read.

I’m currently reading a fascinating book about religious aspects of comic books. Many of us grew up with comics, and anyone who’s read some psychology knows that people are very much image-oriented. Even our Bibles for children are heavily illustrated—often with drawings nearly as far from reality as those of an Alan Moore story. Adults raised on comic books have been enticed back with such novels as The Watchmen— something that looks like maybe kids are the intended readership, but they’re not. The only way for adults to know is to read. (That, and to consider that the movie version of The Watchmen scored a solid R rating. That little itch should be telling you something.) But reading literature has fallen out of fashion.

While waiting for my bus home one day I decided to take the more local route because the bus was still at the gate when I arrived at the Port Authority. This is a longer ride, but with any luck it might get me home ten minutes earlier. When I asked a woman if I might sit next to her, and I began pulling out my book, she said, “you’re that guy that reads.” Guilty as charged. As I wait for the express bus, I spend the time with a book. Until she said that I never considered that almost nobody else does. Forget the days of earnest looking men, faces hidden behind newspapers, passing the commute by reading. Now it’s all ages and genders, holding electronic devices. Not that I’m surprised. People are visually oriented, after all. But I immediately recognized Moore’s nod to H. P. Lovecraft in naming his novel Neonomicon. I think I might have an idea of what to expect if I were ever to read it. It is, however, far easier to ban books than to take the time to read.

Watchmen

Jolly Saint Nicholas

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StNick

Each December the Princeton University Chapel Choir performs a free holiday concert in the impressive university cathedral (actually, it is a chapel, but given its size I’ll stick with cathedral). This year’s concert was Benjamin Britten’s “Saint Nicholas.” The association of Saint Nicholas with Christmas, not really a major holiday until relatively recent times, was an aspect that developed long after his death in the fourth century. The date of his death, December 6, and his association with the giving of gifts, made him an obvious model for Santa Claus (who still bears his name). Most of the gifts I’ve received from bishops involved losing a livelihood and personal dignity, so it is little wonder that Nicholas is venerated. Few bishops of his generosity exist today.

The stories of Nicholas of Myra, however, are full of mythical accounts that bear less resemblance to history than to legends of old. Eric Crozer’s lyric for Britten’s piece invokes several of these miraculous tales. Saint Nick, it seems, stilled a storm at sea, multiplied food and walked on water like Jesus. The lyric also tells the legend of how he raised three pickled boys from the dead, although I have to admit I couldn’t get my mind off zombies after that. This story seems to owe something to the myth of Tantalus, who, like Nicholas, was from Anatolia. In real life we do know that at the Council of Nicaea Nicholas punched Bishop Arius in the ear for his heresy. Theological discussions are like that sometimes. And I wonder if that might not be the origin of another curiosity of which a friend recently reminded me—Saint Nicholas doesn’t travel alone.

Our modern version of Santa Claus takes its roots mostly from germanic traditions. In that culture the saint is accompanied by a more sinister character who doles out punishment to the naughty. He is known by many names: Krampus, Ruprecht, Schmutzli, Zwarte Piet, or simply the Devil. Instead of using their diabolical fists, they generally carry rods to smack the not-so-nice, kind of the Republican side to the liberal Santa. This dark figure does not appear in Britten’s “Saint Nicholas” where a (mostly) kinder, gentler saint appears. A saint who raised briny boys from the beef barrel also belted another theologian upside the head. Life, even for saints, is full of contradictions.

Seeking Sava Savanovic

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According to the Associated Press, Sava Savanovic seems to have risen from the grave again. In the world of professional vampirologists, I am a mere hack, but when local Serbian officials start instructing villagers to stuff their pockets with garlic, I know enough to sit up and listen. The Balkans and eastern Europe claim the lion’s share of vampires, but the idea is an ancient one that some scholars trace back even to the Sumerians. While the AP report seems very tongue-in-cheek (as opposed to teeth-in-neck), there is no doubt that ancient fears are as hard to kill as actual vampires. It is no surprise that vampires found their resurrection in the western world as the Enlightenment was catching on. The emphasis on reason and science alone leaves many people very cold. We all may be lemmings headed for the cliff, but we don’t want to be told so. And when the scientists pack up all their equipment and head home, there are still unexplained noises in the night.

Sava Savanovic may have been a historical person, but not one approaching the stature of Vlad Tepes off to the north and a few centuries earlier. A little closer to home, Peter Plogojowitz, an actual Serbian peasant, was staked for being a vampire in the eighteenth century. Fortunately, he was already dead at the time. The story is recounted in Gregory Reece’s Creatures of the Night and the account remains one of the earliest documented Balkan vampire records. The Enlightenment was under full steam and yet, and yet…

Nosferatu

Interestingly, the report on Newsy shows a Fox News reporter declaring with certainty that no vampires exist. Given the track record of Fox News of catering to causes near and dear to Neo-Con hearts, it is hard to accept that people believing in fairy tales only inhabit the darker regions of the Balkans. No, vampires do not just crave blood. The ancients often believed that they were after reproductive fluids in order to generate more of their kind. A more recent version is the fiend who drains others of their money so that they may live in their remote castles far from the reach of the unwashed populace that has to work for a living. Perhaps we should be envious of those fearing Sava Savanovic—he can be frightened away by garlic and crucifixes, after all. The modern American vampire fears nothing but death and taxes, and the latter they’ve already defeated.

The Last December

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December 2012—it is supposedly the last month in the world. Yesterday did dawn with the date being 1212012, but since the local tree farm opened its gates yesterday, my family set out to select a tree anyway. As we wandered amid the pines it was clear that for many the iconic sign of Christmas is the tree. We learned on our first year in New Jersey that you’d better not wait until reasonably close to Christmas to pick out a tree—we visited this very lot then only to discover that precut trees were all that were available (and they were from Pennsylvania) and we had established a tradition of picking our own. Getting to know the tree first. Walking around and looking from all angles, trying to learn if it was healthy or too dry. Were there any gaping gaps that would be an obvious problem? Hard to tell when the tree is wrapped up in fishnet plastic and tucked into a corner like an old umbrella. Here, so close to the Big Apple, you need to claim your tree early. If you don’t want to cut it down right away, you can tag it—claim it as your own and come back later to chop it down. We weren’t the only ones taking great care in selecting.

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Tree farming is a business with a long view. Trees don’t mature overnight. When it’s the last month of the world, one must take these weighty things into consideration. Even before this terminal date, you would need to make an awful lot of money in just one month of the year to keep the business going. Maybe they need a green Christmas. Of course, greenery in winter symbolizes life in the midst of death. The germanic originators of the tradition were keeping a very appropriate pagan idea alive when they dedicated their trees to Christmas. Last year when we couldn’t have a real tree, it felt like we’d lost a friend. Our tree farming friends know that feeling very well.

The “Keep Christ in Christmas” signs and bumper stickers have begun sprouting up in yards and on bumpers in their annual exuberance. Funny thing is, Christmas has its base in ancient pagan customs. To hear the Bible tell it, Jesus’ birth was an understated event. The only people who had an angelic concert were some shepherds (we don’t know how many) on the hills outside of a small town. And, as far was we can tell, it would have probably been in April. As the days grow wearily short, however, we need a little light to keep us going. That was the pagan wisdom behind the Yule Log and various festivals of light to encourage nature to bring some brightness back. These short days can be difficult enough even in the age of artificial light and constantly glowing electronic screens. And knowing this is the last month of the world, we want to festoon our trees with tiny pinpoints of expectation and hope that nature somehow gets the message that we’ve had enough of darkness and wish for a 2013 redolent with light. But we’ll just have to wait and see.

Creature Feature

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Gregory L. Reece’s Creatures of the Night is a strangely profound book. I picked it up to read on the plane home from Chicago and I wasn’t disappointed. Promising to explore ghosts, vampires, werewolves, demons and devils, Reece suggests that maybe the key to such fascination rests with the late Rudolf Otto. I had over a decade of students read Otto’s famous little book, The Idea of the Holy. Otto, whose palindromatic surname suggests something uncanny, characterized the holy as the fascinating mysterium tremendum, the wholly other. (I will refrain from calling it the wholly holy.) The mystery that makes us tremble. The monsters that haunt our nights and imaginations are aspects of this utterly other.

Along the way Reece proves an able tour guide. He recognizes, as I have repeatedly stated in this blog, that religion and fear are conjoined twins. He also knows how to get your skin crawling. For Reece there is no question that such things are real. Real doesn’t mean that they are physically lurking outside your window at night—for who is to say that only the physical is real?—but they are as real as religion. No doubt strange things have transpired in history and continue to occur. And the reason we go into church may ultimately be the same reason that we watch a horror film.

As Reece comes upon the topic of demons the air in the room (or plane, or bus) thickens. Here we have documented accounts of impossible events. No amount of rational training can remove the shudder from these stories. Explanations of epilepsy only go so far before terror takes over. By herding them together with vampires, werewolves, and ghosts, Reece stakes his claim that they all are real. Rational reductionists may shrink our world down so tightly that no room appears in the inn for our creatures of the night. But those who are honest, even among the reductionists, will admit to a mysterious tremor, even if unintentional, on a dark and stormy night.

Theology of the Apes

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“Alter what you believe to be the course of the future by slaughtering two innocents, or rather three now that one of them is pregnant? Herod tried that and Christ survived.”

“Sir President, Herod lacked our facilities.”

So the conversation between Dr. Otto Hasslein and the President goes in the 1971 continuation of the saga, Escape from the Planet of the Apes. Few probably pondered the weighty theological significance of this dialogue; it is not represented on IMDB’s quotes page from the movie. In fact, many critics aver that the Planet of the Apes movies devolved as they went on becoming less and less original. Nevertheless, the number of serious issues thoughtfully addressed in Escape made it one of the most well received pieces in the series. The world was a scary place in the early 1970’s, as I experienced it. It was easy to believe that we were on the brink of our own destruction—there were enough nuclear warheads to assure mutual destruction, and even a little boy in Rouseville, Pennsylvania could believe that his small town was significant enough to be a target. That message I’d heard as early as the final scene of the original movie.

The Planet of the Apes series is profoundly theological. I rewatched Escape from the Planet of the Apes recently, and was struck by just how many social issues were addressed. Consumerism, abortion, racism, espionage, the arms race, and even eugenics. In each instance the humans are inferior to the apes who had not even developed the combustion engine before learning to fly a spacecraft back through time. The conservative fear of Dr. Otto Hasslein drives the plot; he is ambivalent about the apes and what they portend. It is the destruction of his own comfortable way of life. He suggests quietly killing the apes, succeeding where Herod failed. (Think through the implications!)

“Before I have them shot against the wall I want convincing that the writing on the wall is calculably true,” the President biblically insists.

“How many futures are there? Which future has God, if there is a god, chosen for man’s destiny? If I urge the destruction of these two apes, am I defying God’s will or obeying it? Am I his enemy or his instrument?” Otto Hasslein does not know. His science which tells him there is no God also worries him that he is the very enemy of the non-existent deity. No, the Planet of the Apes movies are not the most profound films ever to escape the camera, but there is, as in any good theology, the raising of questions. And like any theology worthy of latter-day Herods, there will always be far more questions than answers.

Ruby Tuesday

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If you’re reading this, you survived Cyber Monday. Not that I personally remember the Middle Ages—I have no desire to return to them—but there was a time when nearly every day of the year was known by a saint’s name. Even as an Episcopalian, nominally Protestant, I was surprised just how many red letter days there were. Black letter days seemed special by comparison. Now, however, our days are named by the shopping expectations. Not only do we have Black Friday and Cyber Monday, we have the moveable feasts of “shopping days before Christmas.” And many other holidays participate in this bonanza dedicated to Mammon. Halloween is a major cash-generating holiday and Valentines can be counted on for buying love. St. Patrick’s for buying green with gold. Ironically, all of these were once, at some remote time, holidays decreed by the church. Many of them are even older than that, going back to pagan times, but religious nonetheless.

In a sluggish economy such times are indeed anticipated. Still, I don’t hear of the one percenters suffering during these difficult times. “Let them eat cake,” Marie Antoinette once was supposed to have said. Cakes are celebratory desserts, of course. We make them everyday occurrences with birthdays that should, in theory, keep the river of cash flowing all year long. The great corporate cathedrals require the offerings of the average citizen, and they insist on far more than a tithe. Then the investment firms complain that people don’t think ahead and save their money for retirement. We see many who live long enough to experience want in their declining years. There should be an app for that.

I wonder if there is something much deeper going on. Those who run so fast usually have something from which they wish to hide. There is the story of King Herod who, according to popular reconstruction, tried to buy the favor of his subjects by monumental building. Herod was not a popular king, and he had a reputation for being bloodthirsty when enraged. It is difficult to verify, but the basics of the story still ring true; when his way of running society was threatened he decided to kill the innocents. Such stories, one might hear a pontiff declare, fall within the genre of the folktale, the story told to make a point. What might that point be? Might it not be that each day is itself a gift and that spending money is not the only way to make time sacred? Of course, as long as you’re online, why not just PayPal your way to true happiness?

A techno-log on Cyber Monday.

Au Fait in the Manger?

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On Friday CNN ran a story about the Pope’s new book “debunking” myths surrounding Christmas. The headline certainly looked intriguing, but it turns out that the “myths” debunked are those of a very dim magnitude. Is anyone surprised—gasp!—that Jesus wasn’t actually born on December 25? And, guess what—those cows you’ve always seen in the manger? The Bible doesn’t actually mention them! Angels aren’t at the manger either! What kind of Christmas will this be? A biblical one, it sounds like. I haven’t read Jesus of Nazareth—The Infancy Narratives, but it really doesn’t sound like I need to. The Bible is very spare on stories about Jesus’ birth; nobody knew he would be a Lloyd Webberian superstar at that point, so we have a few loose traditions that tell of humble origins in an obscure setting. Not very good for commercial interests, however, and besides, the average person doesn’t read the Gospels to find out about Christmas. There are far too many television specials to be bothered with “Lo, there were in the same country…”

Christmas was not a big deal until relatively recent times. Now, don’t get me wrong—I’m not a grinch who believes the holiday shouldn’t be celebrated. I see nothing wrong with people giving things away, even if it is to pretend that they are celebrating an ancient Roman-occupied Judean birthday. This is the essence of what being religious should be all about; holidays should be occasions for thinking about others before one’s self. In my lowly opinion anyway. We’ve built an entire economic cycle on it, however, otherwise Black Friday might just be a free day to spend with family and friends instead of being trampled to death at Wal-Mart. Perhaps if society could find a way to distribute wealth more equitably every Friday would be in the black.

The Pope’s new book is an attempt to make the Catholic tradition appear up-to-date with scholarship. Plans are for the book to be published in an entire Septuagint of languages with a print-run the envy of nearly every academic editor in New York. The problem is there is no real news here. News should be, by definition, new. A book by the Pope declaring the true equality of all people, throwing open full sacerdotal participation to women as well as men, and the distributing of papal wealth to the poor—that would be a Christmas present worth the waiting! Instead, when you pull the shiny paper off this book on December 25, you’ll only discover that you’ve received it on the wrong date and there will be no angels singing. The cattle will be lowing, however, if you can use your imagination.

What’s wrong with this picture?

Phantom Prayers

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Religion and theater have much in common. I suspect that this is one reason several religious traditions initially protested against the secular theater. Morality plays were one thing, but dramas about purely human matters are quite another. Being given the very generous gift of tickets to the Phantom of the Opera, I recently had the opportunity to experience Broadway’s longest continually running show. It occurred to me that theater can often, if done right, draw in huge crowds—the line to get in was certainly impressive—while other than megachurches and very conservative religious movements based on reaffirmation of one’s superiority, many religious houses struggle to draw people in basically for free. It could be argued that secular entertainment requires less of an attendee than a religious service, but I wonder if that’s true. To receive your money’s worth for a show, you must be willing to put yourself into it.

While Andrew Lloyd Webber has never been afraid of religious themes—think of Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat, or even Whistle Down the Wind—Phantom of the Opera is loosely based on the early twentieth century novel by Gaston Leroux, the story of a hideously deformed musician who falls in love with a beautiful opera star. Although characterized as “a monster,” the Phantom is, after all merely human. Lloyd Webber’s adaptation leaves much of the story undeveloped, allowing the imagination to chart its own course. This is precisely where theater diverges from religious performance—imagination. Religions frequently claim to possess all the answers and questioning or imagining new approaches to age-old dilemmas is often discouraged. Unless, of course, the dilemma is how to draw more people in. Those who run megachurches learned the lesson of theatrics long ago.

For all that, Phantom of the Opera is hardly devoid of religious sensibilities. In one moody scene where Christine visits her father’s grave for solace, and perhaps advice, the first set piece visible is the cross atop the tomb. It is from this cross that the Phantom in the guise of the “angel of music” comes to her. Having the representation of death emerge from a cross is a powerful enough symbol. During this scene Christine’s plaintive cries to her father sound like a prayer. The prayer is heard, however, only by a phantom. The end of the story is ambiguous, something religious performance simply cannot tolerate. And yet, as I was being pushed and propelled down a crowded Broadway after the show, amid a flood of humanity that had emerged from many theater doors, I wondered if this “secular” experience might not be religious after all.

Religious tracts?

Hallowed be thy Kane

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Watching the alien burst from Kane’s distended abdomen as he appeared to have eaten too much seemed somehow appropriate on Thanksgiving. I’m well aware that my taste in movies does not always match expectations and few bother to comment on my idiosyncratic observations. Nevertheless, it had been years since I’d watched Alien and on this particular holiday it felt like synchronicity. I’ve seen the film a few times before, but this is the first time since starting this blog. Not surprisingly, some biblical allusions popped out at me as I watched the crew of the Nostromo struggle with alien life. And I’d just read of NASA’s “exciting discovery” on Mars, a discovery whose official announcement for which, like Christmas, we’ll have to wait until December. Learning that the gut-busting alien was modeled on Three Studies for Figures at the Base of a Crucifixion by Francis Bacon (a contemporary one) only sweetened the analogy.

Character names hide aspects of personality and intention. Sometimes the writers may not even be aware of all the shades of gray. The alien’s first victim is Kane. On paper he seems an ordinary citizen, but on the screen the euphony with the first human child, Cain, is obvious. As Parker is lamenting how large the alien has grown in just a short time, science officer Ash whispers, “Kane’s son.” Or is it Cain’s son? Cain, the infamous ancestor of the sinful Grendel and any number of other villains of literature and cinema. Cain is, significantly, the first child born in Genesis, himself the genesis of sin in the world since his murder of his brother is the first act that the Bible declares a “sin.” The alien, born worlds away, conforms to biblical expectations.

Since Ash is actually an android and has no real feelings, he admits the alien to the ship and protects it until he is destroyed by his shipmates. He represents unfeeling science amid the horror of human bodies being invaded and rent apart. When accused of admiring the alien, the resurrected (!) science officer states, “I admire its purity. A survivor… unclouded by conscience, remorse, or delusions of morality.” Is he not really describing science itself? Religion is running rampant on the Nostromo. As Ripley sets the detonation charges and finds her escape blocked, she races back to the console and cancels the self-destruct order which the HAL-like Mother ignores. In a secular prayer Ripley calls out to Mother who, like any deity, does not answer all human pleas. And even as she escapes the detonating ship, Ripley will find that Cain’s son is still lurking in the corner of the emergency shuttle, for the science can never truly escape from Genesis.

Holy Gobblers

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I wonder if this is how religions get started. Yesterday President Obama continued the lighthearted tradition of pardoning two turkeys prior to Thanksgiving. There has been a gifting of turkeys to the United States president at least as far back as the Harry S. Truman years, but the pardoning began, as did many myths, in the Reagan years. Ronald Reagan took considerable heat for pardoning Oliver North after his crimes in the Iran-Contra Affair. Handling criticism with a joke (again, of which there was no shortage in those days), he offhandedly mentioned pardoning the turkey. Reagan had already decided not to eat the bird and had it sent to a petting zoo. The first recorded official pardoning came in 1989 with George H. W. Bush. This seems so close to the origins of the concept of salvation that I have to pause and baste in the implications. Pardon is only effective when there is guilt involved, so presumably turkeys sin. The only sin that suggests itself is gluttony, but I’ve seen more than my share of wild turkeys and they seem to have any natural weight problems under control.

Ironically, the guilt in this case seems to rest with those who do the pardoning. Turkeys grow fat because they are raised to do so. They are, like most eating animals, sacrificial victims—sinless and slaughtered. Again, there is another beautiful religious trope here, but we seldom sing the praises of the noble turkey that takes away the hunger of the (first) world. So, as crimes are committed in real time, we can shift the focus to the turkey. The analogy with sheep in the first century is apt. Like the turkey, the sheep was known as a creature of rather simple mental capacity. The lamb was sacrificed for sins it did not commit. Yet we don’t sing hymns to the noble turkey. In fact, Thanksgiving, being a non-commercial holiday, has largely been eclipsed by Black Friday.

I see a future religion in which the turkey plays a supporting role. All we, like turkeys, have gone a-peckin’. Turkeys have no shepherds, but they are kept in tiny cages, and the pardoned pair are the great Moses and Aaron of the turkey world. They are released to live out the rest of their short, obese lives in relative comfort, having been messianically chosen from before hatching to be spared the fate of being consumed by the ultimate consumer. This is the very stuff (stuffing?) around which Bibles are written. The theology here is as thick as gravy. As a vegetarian, however, my sympathies are with the birds. Heaven help us all when the pardoned pair come back and declare, “Let my turkeys go!”

Dreaming of a Black Xmas

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By my best reckoning, Thanksgiving has not yet taken place this year. Since Halloween, such as it was, is now over, we must still be in November. As I was exiting my office building last Wednesday, I noticed that the holiday tree was already going up in the lobby. A few blocks away and I heard the first Salvation Army bells of the season and shouts of holiday cheer. The great tree in Rockefeller Center was being erected. (I picture burly guys with a super-sized tree stand swearing in the cold air—”Left, nudge it to the left!”) Maybe it’s just a storm-weary city glad to be rid of Sandy, but it does seem to be a bit early to me. Holidays, in any modern sense of the word are about opening wallets and injecting cash into the system. The very corpuscles of capitalism. I enjoy holiday cheer as much as the next guy or gal, but I don’t mind waiting for it to arrive. Antici-

Holiday seasons are as old as holy days themselves. In our work-obsessed culture, however, convincing bosses of the regenerative utility of granting more than a single day off at a time is an uphill battle. Productivity is what we’re all about. And so we lengthen our public show of holidays instead. Thanksgiving’s not much of a banker except for grocers, and although turkeys may make great primary school decorations, they don’t really match the productivity and professionalism that corporate offices like to promote. The December holidays, however, give us Black Friday. Listening to the news over the last few days, it is clear that many people are biding their time, already ready to get those distant family members out the door, and let’s get those bargains! pation.

Holidays reflect what we hold sacred. I’m not one of those purists grinches who see gift-giving as some inherent evil—in fact, giving things away is one of the under-utilized tenets of most major religions—but I do wonder how much of it is an appeal to the ego. I feel good when I make someone else happy. Yet at some level, I’ve indebted them to me. I’ve made a business deal. The holy days have been infected with capitalism. Warm memories of not having to go to school for nearly two whole weeks, being with my family—the place I was unquestioningly accepted—and getting presents as well? What could be more sacred than that? But I’m getting ahead of myself. It is still mid-November. After all, Black Friday (and what’s that day before that called?) hasn’t even started yet.

A waif in a manger?

Say Can You See

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Remakes of classics. It is my sense that a classic has earned its place in its own constellation for a reason. Remakes seldom attain the je ne sais quoi of the original, but sometimes I have trouble telling them apart. I like scary movies—the classics anyway. In recent years various directors think they can improve on the masters and some of us get confused about what’s what. So it was that I came to watch the remake of The Hills Have Eyes without having seen the original Wes Craven version. As is typical for remakes, the writing tends to lack the flare that often characterizes the original vision. The story may be similar (in this case I’m only guessing) but more than the names may have been changed to protect—who? I’m afraid I didn’t care for the film. Graphic violence is seldom as effective as suggested terrors, but it can make you a bit queasy nevertheless.

I decided to stay with the movie to see if my thesis of religious elements and terror would become part of the story. In the remake, in any case, the action is set in a nuclear test zone where people disfigured by the radioactive fallout of American nuclear tests prey upon the victims they can lure into their lair. So an extended family is drawn in and very few of them make it out. The pater familias is a man who trusts his gun and has no fear of walking into the dark desert alone. But before he goes—yes! Religion. The mother of the brood, it turns out, is a devoted Christian and insists on praying before the men-folk set out to try to find help for their stranded vehicle. The eponymous eyes in the hills watch them pray and then begin to prey. The confident father says, “I trust my bullets more than your prayers.” (Or something along those lines.)

Ironically (and I can’t believe it was anything beyond coincidence) both dad and mom end up dead—the father in a crucifixion pose, the mother by being shot. Neither bullets nor begging save them from the mutants who seem to live just to cause others misery. The man who trusts his gun dies in a somewhat religious way, and the woman who trusts prayers is the victim of a gun. Now, in a classic there would be some lingering on the reversal here, but the remake syndrome is eager to add gore and grotesqueness to the screen without pausing for thought. The eerie backdrop of a nuclear testing town with mannequins still intact is effective, but otherwise you know to expect Road Warriors-type action in this small, post-apocalyptic world. The fact that even this wasteland supports a moment of prayer, however, demonstrates that fear and religion are never too far from each other.

Star Tract

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Over the past few years my wife and I have been watching the episodes of Star Trek (original series; please, we are connoisseurs). As a religious child watching Star Trek I had noticed that some of the episodes had biblical titles or themes, but now that I’ve been watching them systematically, if not swiftly, I have noticed a general trend towards more biblical themes as the series goes on. I suspect most readers know that Star Trek had only three seasons. During the first season references to the Bible were a bit vague and indistinct. Episodes 23-25 (“A Taste of Armageddon,” “This Side of Paradise,” and “The Devil in the Dark”) make reference to biblical motifs in their titles, but nothing too explicit. Paradise and the Devil are, after all, in the public domain.

Season two stepped up the ante a bit. In “Who Mourns for Adonais?” the pagan god Apollo appeared, but in “The Apple” the Enterprise was transported back to Judeo-Christian themes in the paradise genre again. “Journey to Babel,” episode 10, brought a biblical place into the title, and “Bread and Circuses” (episode 25) famously put the crew into the world of the Roman Empire where the rebels were found to be sun worshippers. But no! Worshippers of the son of God, we learn. The move away from Apollo is complete, we have come back to a comfortable, Christian world.

The third and final season delved even further into the biblical repertoire. Once again, “The Paradise Syndrome” (episode 3) brings Heaven to the heavens, but episode 4 also has a biblical title “And the Children Shall Lead.” Episode 16, “The Mark of Gideon,” takes considerable thought to unpack the biblical parallel, and episode 19 is entitled “Requiem for Methuselah.” Paradise, obviously a favorite theme, returns in “The Way to Eden,” or episode 20. Each season goes boldly further than the one before.

Quite apart from the titles of episodes, Star Trek, despite the technology and unflinching logic of Mr. Spock, is an extremely biblically literate show. Even as the 1960s were fading into the 70s it was a safe assumption that watchers would pick up on the many biblical motifs and themes. Now when younger people mention Star Trek, they inevitably mean one of the various spin-off series that have grown from this original root. Biblical references are surely there, but like the times themselves, I suspect they aren’t nearly as overt as they were when I was a kid. For many even paradise has lost its shine.

November’s Vampires

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It may have been the year without a Halloween here in the northeast coastal region of the United States, but it looks like some of the spirit has persisted into November. My daughter was disappointed when, due to storm damage, our local borough cancelled Trick-or-Treating for this year. So I was intrigued when I spotted a news story yesterday discussing Prince Charles’ relationship to Vlad the Impaler, the historical Dracula of yore. (And a good Christian by his own reckoning.) I wondered about the timing of the story until I noticed the gothic script on Google’s search page and realized that yesterday was Bram Stoker’s 165th birthday. Well, it would have been, supposing that he has remained dead since 1912. Completely unrelated to this anniversary, I read Dracula again in September through October and realized just how religiously charged a story it is. The Church of Ireland, to which Stoker’s family belonged, was Anglican in name and identified with both Catholic and Protestant traditions. In Dracula the more Catholic side seems to predominate.

Prince Charles’ connection to Vlad Tepes suggests perhaps a deeper meaning. The short news clip I saw (I can’t recall which network it was on) noted that the connection is being promoted by Romanian tourist agencies. Nevertheless, Prince Charles appears in the material acknowledging his hereditary connection to Vlad III, and noting that Transylvania has much to teach us. (He goes on to explain that the people of Romania have a lot to teach other Europeans about sustainable practices.) I could not help but note the irony of a member of the royal family, however, inviting comparison with a character who came to be known as the drainer of other people’s blood. Taking that which by no rights belongs to them.

Perhaps it never occurs to those with great wealth that what they amass is absconded from others. In a world that holds to a social contract that values money—which is merely a symbol—for some to have excess means that others will have less than adequate amounts. I’ve always had trouble understanding such selfishness. Perhaps it was being raised in a Christian environment with siblings with whom I was expected to share. Maybe it was just a part of the sober assessment of the social injustice I began to notice when I was a teenager. Somehow I’ve never felt entitled to much, but I do wonder how others can justify taking more than they need while knowing that many others suffer from real want. It is a matter of degrees, I realize, and we all do it to some extent. I have never complained about taxes because I know that my eyes too may be blinded by the beguiling glitter of gold. When the very wealthy don’t pay taxes (not pointing any particular fingers here), they too, like Prince Charles, may claim to be true descendants of Dracula.

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