Gothic Religion

Every great once in a while, you run across a book that seems to have been written just for you. I’m cheap enough to wait for most books to be issued in paperback (and storage is getting to be an issue in our cozy apartment), but sometimes the urgency is too great and I can’t resist. In Providence a few weeks ago, I visited the university bookstore—one of my favorite places in town. On the new arrival table was Victoria Nelson’s Gothicka. For what seemed inexplicable reasons, I always found Gothic tales among my favorite growing up. Poe was a standard, but he was accompanied by other stories that elicited the same cocktail of sensations, accompanying a dark and mysterious atmosphere with a suggestion of menace. Transfixed by even the mere presence of this book, I knew I was in the power of a force to which I would eventually succumb. And, unexpectedly, the book helped to explain part of my childhood.

Not every book I read has to do with religion. Far from it. I expected Nelson to discuss literature and movies and culture—all of which she does—but not necessarily religion. The first three chapters proved a revelation in that regard. Nelson deftly explains how Gothic largely overlaps with the characteristics of religion, bringing the supernatural into human lives and insisting that we tremble before it. Perhaps best explained by pastor Rudolf Otto in The Idea of the Holy; the transcendent is something that terrifies as well as compels. In a culture where organized religion appears to be losing ground, Gothic offer the opportunity to tremble before the supernatural, and many people find it almost a religious experience. As becomes clear, the “almost” may appropriately be dropped.

Tracing the trajectory of my own reading interests, Nelson next provides an insightful chapter on H. P. Lovecraft. In many ways the initiator of worship of the dark divine, Lovecraft’s Cthulhu and kith and kin represent an undisguised secularization of deity. At the same time, the trembling is still very much present—indeed, it is a native part of the experience. Lovecraft, who was an atheist, understood the literary utility of gods. They frightened and haunted him with their very non-existence. That is power. Gothic acknowledges and embraces that power while never relinquishing its darkness. Nelson’s Gothicka holds the potential of a journey of self-discovery. As she ranges deeper and deeper into that world, the reader discovers just how much it is part of being human in a world tormented by fallen gods.


Civil Rites

Sundays’ op-eds often have sensitive fingers on the pulse of the American religious scene. A piece by Tom Deignan in Sunday’s New Jersey Star Ledger raised a very interesting point about civil religion. Civil religion is, loosely defined, the acting out of religion in a civil-political forum as a cheap form of nationalism. We do it because it works. Noting that a presidential candidate denying the divinity of Christ in the twenty-first century would be engaging in political suicide, Deignan rightly points out that many earlier “Protestant” presidents would—and did—do just that. He notes that Taft, a Unitarian, came outright and said it. No matter the protestations of the Neo-Cons, the founding fathers were Deists, not believers in Christ’s divinity. Thomas Jefferson went as far as to excise all the miracles from his version of the New Testament. The idea that religio-politicking is business as it’s always been done is a myth.

And what a persistent myth it is! Many Protestant denominations trace their ancestry back to founders who believed that they were closer to the apostolic faith than the next guy. They legitimately believed their faith was the original, intended by God, Christianity. Thus it was in the beginning, is now, and forever shall be. Only it’s not true. Religion was purposely written out of the Constitution of the United States with the Bill of Rights declaring its freedom the ideal. What presidents believed hardly played into the concept of their fitness for national leadership in the early days. Now little else seems to matter. Deignan rightly wonders why Mitt Romney is so tight-lipped about his Mormonism. Could it be he fears what critics might say about devising a national budget through rose-colored glasses? Surely his vast personal wealth belies that concern.

So what was the original Christianity? On this point the Bible is amazingly unobscured; early Christianity was Judaism. Jesus was called “Rabbi,” and his teachings weren’t too far distant from Hillel and others near his generation. Paul of Tarsus, who pointed the nascent religion towards its evolution into Catholicism, was also Jewish. Following his faith in resurrection, some early Christians moved into the direction of eventual ritualism. The fancy hats of the papacy, it is fair to say, were never in the minds of Jesus or Paul. Not even Peter. Modern religions, even the primitivist movements, cannot reclaim the Christianity of the first century. That religion does not fit into a world of Internet, cell phones, and automobiles, let alone presidential candidates with wealth befitting King Herod. Let’s just grow up and admit where we are.


Buying the Truth

Every now and again the Chronicle of Higher Education dips its trowel into the biblical archaeology debate. Those of us who’ve made extensive arguments based on ancient texts and artifacts know the territory a little too well. Archaeology, which largely grew out of biblical scholars attempting to “prove the Bible,” eventually started on its own track of scientific respectability with the predictable result of distancing itself from the Bible occurred. So far, so good. Then biblical criticism took a turn towards post-modern sensibilities. The truth cannot be known, and therefore the safest approach is to stop seeking any truth at all. Archaeologists in the know joined this venture (biblical scholars and archaeologists often cross borders in this exotic land), and began to deny historical Israel, as well as the rightly dismissed historical Abraham and Moses. Once you’ve walked a few leagues down that path, however, it is difficult to turn back. This is, of course, an over-simplified account of a complex dynamic, but the issues raised, as seen in the Chronicle, are real. Our perspective flavors our interpretation. If you don’t believe in a historical Israel you’ll never find one, no matter how hard you look. (A similar dynamic is at work in studies of religions and “paranormal” phenomena.) The word “evidence” is finessed as readily as fine hair treatments and the kinds of evidence that convince vary depending on the scholar. It is safest to admit we don’t know, sometimes.

The more troubling aspect, as far as I’m concerned, comes when the Chronicle introduces the concept of corporate sponsorship to archaeological digs. As an erstwhile volunteer on a dig (somewhere back in the Iron Age, it feels like now), I know that archaeology is frightfully expensive. There’s nothing like being on a dig to witness firsthand the amount of labor that goes into removing all that dirt–carefully! Carefully! Universities can’t afford it (stadiums don’t come cheap, you know!), so many digs rely on corporate donors–often television and film companies. And if you’re paying for footage, you want something to bring in watchers. An unnamed archaeologist quipped honestly in the Chronicle, “I don’t agree with everything they say in the films, but they pay me an awful lot more than I could ever earn from writing or teaching.” There it is, staring us straight in the face. The truth goes to the highest bidder.

That may sound benign enough, but in Israel especially, archaeology has high political stakes. You see, politicians are easily swayed by the “we were here first” argument. To get an idea of its specious nature, just ask a Native American! Proving the veracity of a David or Solomon no longer just gets God off the hook, it also builds the basis for claims against people who’ve been here an incredibly long time. The sad reality is that in archaeology, as in higher education, money speaks with an inordinately loud voice. As an agreed means of exchange, money is certainly important, but is it “true”? For those who’ve stopped short of the post-modern abandonment of that great philosophical ideal of Truth, we should be wary of allowing lucre to decide the issue. Those with money already help to decide what courses will be taught and what tels will be excavated. We run a real risk when we let those same people decide what will be considered the truth. In a society enamored of media and its ease of use, the truth is sometimes what comes across the television. There is another way, but it involves heavy digging and lots of reading. Maybe next time—but for now just pass the remote.


Faith Falls

Niagara Falls, despite the crowds and commercialization and the diminished flow of the Niagara River to serve hydro-electric dreams, is nevertheless impressive. It is also one of those landmarks from my childhood since I had a great-aunt and cousins who lived in the town of Niagara Falls. That was back in the days when you could cross between the United States and Canada without a blink of a sleepy customs officer’s eye. Perhaps it is the nostalgia of a guy who’s not quite young any more, and maybe it is the sheer intensity of the negative ions released from all that falling water, but Niagara Falls remains one of my favorite places to visit. It is one of those places that you leave feeling like maybe you’ve been touched by something divine. At the office yesterday when talk turned to Nik Wallenda’s tightrope walk across the Falls last night, memories began to surge. I didn’t watch the live broadcast (I don’t have television service and with my commuting schedule I can’t stay awake past nine p.m. most days), but reading about the successful crossing this morning, I again found something divine.

When reporters asked Wallenda how he’d accomplished the feat he replied, “a lot of praying, that’s for sure.” Here’s where I had to stop and pause. Prayer is a common response to stress. Those moments when people face something that is beyond human capabilities—be it illness and loss in the family, financial ruin, or almost certain death—we often reach out for that which we hope will help us. When Wallenda stepped off that rope, his experience validated his assumptions that God helped him to do what is, in any rational universe, a very foolish thing. At the same time, he asked for divine aid in facing what must be, in that universe, a divine death-trap. Anyone who has stood close to Niagara Falls, or walked the wooded trail along the class five rapids of the Niagara River has come as close to the divine as humans are ever likely to get. To believe that prayer gets you through is to believe that God defies God.

Daredevils live for a thrill that transcends the comfort zone of most religious folk. I grew up during the days when Eval Knievel was a household name and his insane stunts drew millions to their televisions. Surrounded by television cameras, just nine months before his death he undertook his most dangerous stunt. He was baptized at the Crystal Cathedral, spawning hundreds of copycat baptismals. His death, it is generally acknowledged, resulted from complications of his many lifetime injuries. I remember his failed Snake River Canyon jump in 1974. Years later, staring out over the Snake River Canyon for the first time, I felt just a little of that transcendence that draws people to dramatic places. A friend tells me that whenever she goes to Niagara Falls she feels the urge to jump in. She is a very religious person. Hearing her remark about doing a Wallenda without a tightrope, I think she might be the most truly religious person I know.


Occluded Religion

In my youngest days the word “occult” conjured the most perilous kind of fear in my inexperienced, Christian heart. It sounded malevolent and sinister, suggesting Hell, Satan, and the coercion of the divine. Therefore it took considerable time to pump up the courage to read Occult America by Mitch Horowitz. Well, maybe it wasn’t that dramatic—I learned in the course of my many years studying religion that “occult” is very difficult to tease out from “religion.” What I really feared is what others would think of me as I sat on the bus reading Occult America while heading to the Lincoln Tunnel. The word “occult” refers to the “hidden” or “secret” nature of certain religious practices. In ancient times it might refer to the Gnostics or Mandaeans, while in more recent days it might be used to describe Rosicrucians or Theosophists. Unconventional, yes. Evil, hardly.

Horowitz takes his readers through a whirlwind tour of some very colorful characters and, perhaps more importantly, shows just how deeply rooted occult practices are in the most Christian nation on earth. Few people realize just how influenced high office holders in this country have occasionally been by the occult. It seems a hard-and-fast rule that to be elected president you must be a professing Christian, strongly preferable if of the evangelical, Protestant flavor. Ronald Reagan made a great show of that while being personally convicted of the efficacy of astrology and some popular mediums. And Reagan has not been the only one. Still, politicians have to keep their more unconventional religious beliefs secret. The populace likes a straight shooter, devotionally speaking. The fact is that even what many people think of as regular Christianity has been seasoned somewhat with occult.

I can recommend this little book for getting a sense of just how deeply the occult has tunneled into the American psyche. The chapter on the ouija board took me straight back to a very straight-laced Grove City College, bastion of conservative evangelicalism. When I matriculated (which sounds vaguely occultish in its own right) the yearbook was called The Ouija. It was explained away as the combination of the French and German words for “yes,” but everyone knew, given what yearbooks are, that it had that spooky, occult vibe. By my senior year a more fluffy, evangelical-safe title of The Bridge replaced it. And many heaved a great sigh of relief. Christians thanked their lucky stars that they’d been delivered from the evils of the occult just as they were lining up to elect Ronald Reagan to a second term in office.


Alien Deities

What with The Avengers making such a big pre-summer splash this year and all, I decided to refresh my memory and watch Thor again this weekend. In many ways it is a very impressive movie—very loud in the theater last year, and necessarily quieter in our apartment over the weekend. Often when I see a movie on the big screen I can’t keep track of all that is said or implied, especially when there’s so much action going on. Of course, Thor is an unusual hero in the Marvel Universe, being a god. Being supernatural is not limited to deities in that universe, but the other mutants are the results of science: the Hulk and his gamma rays, Captain America’s experimental treatment, and Iron Man’s good, old-fashioned engineering. They are modified humans. Thor comes from a different place. Upon rewatching the movie, the line about the Norse gods as beings from another dimension worshipped as gods came through loud and clear. Jane Foster comes to believe in the ancient alien hypothesis.

As a solution to the lack of omnipotence on the part of the gods, casting Thor and Loki into the role of aliens serves comic-book universes very well. In reality there are well-meaning and serious people who believe that any entity recognized as a god by human religions might have been a space traveler mistaken for divine. This is an idea I first encountered in Erich von Däniken’s Chariots of the Gods? (Hey, I couldn’t help it—I grew up in the seventies!) The world has enough high strangeness without von Däniken’s hypotheses, but in the case of Thor we have a fictional realm that explains how heroes gain their strength. The same could be postulated, I suppose, for Superman, but then, he never commanded a formal cult in antiquity.

Beyond the theological conundrum, Thor also participates in the nearly universal theme of resurrection. Realizing that his arrogance has led to the troubles of the human race, Thor faces the Destroyer (a creature with origins in the Hebrew Bible and Israelite mythology) and willingly lays down his life. This is generally the prerequisite for resurrection in any effective mythology. Of course, Thor returns and, like any good savior, rescues the world. Setting the story in New Mexico only assists in reasserting the mysterious events at Roswell where, like in the movie, something strange fell from the sky. In this subtext the feds rush in and commandeer the data, for people are not capable of making the correct decision. Yet, they leave the god behind. Marvel Studios has been rightly praised for its mastery of the genre. For those willing to look deeply, even Thor has its social commentary.


Varieties of Non-Religious Experience

The New York Public Library is an icon of rationality. Daily tourists throng by—some inspired by Ghostbusters, others by Between the Lions. Nestled in among some of the tallest buildings in New York City, it is a symbol of culture amid its antithesis, business. Nearing its last days is a small display in the library entitled “Shelley’s Ghost.” Containing handwritten manuscripts and a few artifacts from Percy Bysshe Shelley’s cradle to his grave (literally, his baby-rattle and fragments of his skull), the display celebrates one of England’s most famous and short-lived poets. Shelley, although his life was scandalous at points, was no doubt an idealist. A vegetarian, advocate of “free love,” and protestor, he would have fit well into life a century-and-a-half after he died. He was also an early atheist.

“If ignorance of nature gave birth to gods, knowledge of nature is made for their destruction,” he wrote in The Necessity of Atheism. Not quite the angry atheism often found today, but then, despite his obvious spirituality, Shelley was a rationalist. Born during the English Enlightenment, be was a strange mix of the alchemical and the reasonable. To his young mind the truth was self-evident: the belief in gods grew from nature and therefore the study of nature would reveal those origins. Today the origin of gods is still up for debate, as is the nature of the human animal. It is routine for scientists to claim that our brains are simply processing electro-chemical signals that have no reality beyond this physical world in which they occur. To be a human, however, sure feels like more than that. Shelley was a writer at this nexus. No one writes poetry like that who believes their brain to be full of only electrons.

Reductionism often gets us into trouble. The problem has always been that humans are myopic; we can only see so far and yet assume we have all the data. This myth persists despite the fact that we know some animals pick up on environmental factors that we as humans miss. It need not be supernatural to claim that there is more to the world than we can perceive. This is a double-edged sword. Many of the absolute pronouncements of religions simply don’t match our experience of the world. We find ourselves bombarded by authoritative statements by experts who know as little as we do. I have yet to hear a televangelist who can claim on any intellectual basis any reason that anyone else should pay attention to his raving. Perhaps what the world needs is a few more like Shelley’s ghost—rationalists who still recognize the necessity of poetry.


Lies, Damn Lies, and Statistics

“The fear of the Lord is the beginning of wisdom,” so the books of Psalms and Proverbs agree. It must be true. Religion and fear walk happily along hand-in-hand. Some have suggested that religion began as a human response to fear. So this week I felt a little conflicted as I read Daniel Gardner’s The Science of Fear: How the Culture of Fear Manipulates Your Brain. The book had been recommended to me by one of my brothers. As a child fear defined me—it seemed that in a world where God was meant to be feared (for I was a literalist) that fear was the basic operating system for life itself. Gardner’s book is a fascinating exposé of the culture of fear. Gardner doesn’t really suggest that fear should be eliminated, but he does show how many of those in power manipulate fear into a faulty perception of risk management, for their own advantage. Beginning with 9/11 he demonstrates how the irrational responses of people to the tragedy led to even more deaths that quickly became buried in the white noise of everyday society. Comparing Bush’s response to FDR’s “the only thing we have to fear is fear itself,” Gardner demonstrates that the United States emerged from the depression and Second World War weary but confident and strong. After Bush’s two terms, the country is cowering and weaker. Why? The Bush administration heavily mongered fear.

Funnily enough, the release from fear comes from two main sources: statistics and psychology. Statistics reveal the true odds of common fears—these can be inflated so as to create an atmosphere of threat. People, as herd animals, will gladly give more power to the alpha male when serious treat is perceived (don’t kid yourself, politicians have long known this). Psychology enters the scenario because people think with both reason and emotion. Our immediate, visceral response (the “gut reaction”) is instantaneous and powerful, developed from millennia of evolution. It is, however, irrational. Reasoned responses, often better for us, take longer and people do not like to force themselves to think hard. We have a whole educational system to prove that. Faced with hard thinking or quick solving, which do you prefer? Be honest now!

Ultimately The Science of Fear is an optimistic book. Being made aware of the problem is half the struggle. Garden-variety fear is fine. Systemic fear paralyzes. Religion is often defined as one of the building blocks of culture. Instead of offering release from fear, religions frequently add their own ingredients for recipes of even greater fear. The concept of Hell is a great example: think of the worse thing you possibly can. Multiply it by several orders of magnitude. Repeat. And repeat. You’re still not even close to how bad Hell is. There’s your motivation right there. Place that religion in the midst of a society rich with natural resources and led by schemers who know that xenophobia increases power, and voila! Paradise on earth for some, a life of fear for the rest. Manipulation characterizes both the evolution of religions and societies. Gardner doesn’t directly address the religious side, but that’s the beauty of reason: he doesn’t have to. The cycle can be broken; think of Mark Twain’s words I’ve selected as a title. Think hard.


Adult Reading

Book Expo America is porn for readers. I couldn’t believe how large a space was dedicated to literacy, even if only for a week. It is cheering to see what seem to be so many people flocking to the support of the written word, until one steps outside. The city is busy, fast-paced, and frenetic. Books have almost no place here—in fact, bookstores are increasingly difficult to find. This is the world of finance and action, not quiet, reflective thought. Stepping back into the Javits Center what do I find? As a long-time attendee of academic conferences, I am no stranger to book stalls. In religion conferences one expects to find hundreds of religion titles. Thousands even. One of the surprising aspects of the Book Expo, to my eyes, was the volume of religion titles there. To be sure, they were not the erudite, and recondite tomes that populate religion conferences, but there were many Bibles and many books on faith. The religious, it seems, have always loved their books.

Books offer a stability that is not unlike the ideal of religious teaching. One of the main reasons for the plague of fundamentalisms the world is experiencing is the obvious disconnect between the world of ancient books and a culture that refuses to stand still. Once words are laid down, they have a way of becoming stable, apparently written in stone. To borrow a phrase from those long nights playing hearts or gin rummy, a word laid is a word played. Thus Scriptures, with all their foibles, are born. Even in a world increasingly tied to electronic devices, the written word still voices an air of authority. They may be merely electrons projected onto a glowing screen, but words tell us what we need to know. Some of them may become future bibles.

At Book Expo I found Bibles in child-friendly form. In a world where vegetables are the purveyors of the Gospel truth, and we can’t believe anything that hasn’t been animated by a major corporation, the Deep Blue Kids Bible caught my eye. Based on the Common English Bible, it is not the work of amateurs, but it did bring to mind a scary story I read long ago. (The story and this Deep Blue Kids Bible are only related in the labyrinth of my gray matter, not in any business sense whatsoever.) The story was in a children’s Christian magazine and it still evokes a shudder forty years later, when I recall it. An unthinking parent, it seems, decided to keep rat poison in a peanut butter jar. I really need recount no more of the story than that—as the child lay dying the moment of spiritual crisis came to make that decision for salvation upon his deathbed. I started reading the Bible (KJV, of course) before I was a teen. The Bible is not a children’s book. As I walk through BEA on weary feet, I am very glad for the books, but part of me is somewhere between the devil and the deep blue sea.


The Illustrative Man

To a young boy growing up in an economically depressed small town without money to buy fancy things, escapist reading is a natural hobby. As with many boys, science fiction held my undying attention. My favorite writer was Ray Bradbury. His stories were short enough to consume in a single sitting, and they were full of wonder, and imagination, and possibility. I had nearly all of his books. So today, when I learned that Ray Bradbury had died, it felt as if another author’s works had been burned and the great man himself simply disappeared. Along with Edgar Allan Poe—whom I discovered early—and H. P. Lovecraft—whom I discovered late—Ray Bradbury represented what I believed a short story should be. I began writing short stories when I was in grade school. I still have a few of them, and the influence of Bradbury is most profound. At times it feels like the world is running out of dreamers.

Instead of churning out young people eager to explore the possibilities—and even the impossibilities—of the world, our educational system has become much more prosaic. We teach our young how to find jobs. Walking across Manhattan in a weary mood one morning it occurred to me: we go to college and we receive specialized training to make us fit for more cerebral jobs. We work those jobs in order to make corporate executives wealthier. Work benefits the one-percenters most. All the way to the office I dream of a life where I might have pursued creativity and exploration. I still awake before 4 a.m. every day to scrape together a few fragments of a moment to write before heading off to work in the big city. The characters I invent live in my head and die a subtle death as email and book proposals force their bossy way into my consciousness.

The worlds Ray Bradbury imagined were places where the familiar and the strange easily mixed. Many of his tales would be categorized as fantasy rather than science fiction today, but they manage to instill an almost religious reverence among those who believe paradise might be just over on that next unexplored planet. Or perhaps it will never stop raining there and the universe will drive us mad. When I “grew up” and needed to liquidate my juvenile assets, I sold most of my Ray Bradbury books to a used book dealer. Rarely a day passes when I don’t regret that impetuous move. And some days, such as today, I feel it especially deeply. One commodity that our fumbling world simply can’t afford to lose is its dreamers. On an unexplored planet somewhere out there, I know Ray Bradbury agrees with me.

From Wiki Commons


Hair Cut

“This is the dawning of the age of Aquarius.” So we hear in the first number of the musical Hair. Since my daughter is learning about the 1960’s counter-culture in US History, she asked her middle-aged parents what life was like then. Well, my wife and I were both born in the early sixties and were a little young to get the full scope of things through juvenile eyes. Besides, I was raised in a biblically literalist family—probably not the best place to gain a great deal of insight into popular culture. We decided to watch Hair instead. One of the few aspects of that era I recall is the Vietnam War (something George W. Bush apparently didn’t remember). The optimism of the hippie movement never really came to fruition leaving an entire era of disillusionment to hang over the remaining years of the millennium. Nevertheless, there is a sense of freedom in Hair that conveys the exuberance of young idealism—something I can honestly claim to have never outgrown. Without idealism we, as a species, are lost.

As I watched the movie for the first time in years its biblical subtext occurred to me this time around. The identity of the youthful protestors is in their counter-cultural hair. Indeed, the show takes its very name from that aspect. Apart from the ubiquity of the hirsute righteousness on the screen, it is essential to the plot. As Claude Bukowski stops in New York City on his way to join the army, he falls in with the Philistine element of society—the long-haired (read uncircumcised) misfits who defy the principles of decency. The dinner party at the Franklin residence makes that perfectly clear. When thrown in jail Woof protests over-strenuously to having his hair cut, leading to the title number. When the friends decide to visit Claude on the army base on the eve of his departure for Vietnam, George Berger has his hair shorn (by a woman) and subsequently loses his strength. His vital force of arguing his way out of any predicament is sapped as he marches to the troop transport plane that flies him to his death. Singing about believing in God as he goes.

I have never used drugs—life has a way of being weird enough already without them—but the sixties seem to have had a moral righteousness that the Tea Party just can’t claim. It was a righteousness borne of speaking the uncomfortable truth to a society that honored the status quo above all else. The very status quo ante the Tea Party craves—a society of bigotry and inequality. A society of privilege and strict conformity. A balding society that has lost its voice. Drugs are not necessary to see unbelievable things. One of the Bible’s original Avengers, Samson tears his Hulk-like way through any crowd, felled only by the cutting of his hair. Hair also led to the death of Absalom, the son whose life David valued more than his own. At the end of the show it is quite clear where the righteousness really lies.


Religious Aliens

While surveying books purchased as texts in religion courses (something that an editor sometimes does), I came across a book called Interdimensional Universe by Philip Imbrogno. As I’ve often suggested on this blog, the study of the paranormal is related in people’s minds with the study of religion. I suspect a large part of it is because both deal with matters that go beyond mundane, daily experience. Indeed, the tiresome caricature of those interested in the paranormal is that they are individuals dissatisfied with their lives who project their disappointments into bizarre beings or situations to make up for the emptiness. Sometimes the same thing is said of those who are religious. What is really lacking in both fields, it seems to me, is people with strong critical thinking skills who remain open minded. There are serious scholars who study the paranormal—not many of them—and it is clear from the market-informed choices that Hollywood makes, people are intensely interested. So I decided to read Interdimensional Universe.

On the bus, however, I fidgeted to find ways to hide the cover and contents of the book. I don’t want some urban, Manhattan sophisticate seeing the letters U-F-O in my reading material. Still, like most honest, open-minded people, I have to admit curiosity. After a couple of chapters Imbrogno’s work appeared to be a standard UFO book. Then it started to get weird when he suggested that angels and jinn are, like aliens, interdimensional beings. He went from citing declassified Air Force and FBI documents to quoting the Bible. And not just quoting. He assumed the historicity of biblical accounts that scholars have extensively exegeted (oh, that word!) and demonstrated to have more plausible explanations. For the jinn he draws extensively on Islamic lore, believing that they are responsible for much of the trouble in the world, tricksters like the Marvel Universe’s Loki.

I put the book down disappointed. I still consider myself open minded. I admit to not knowing what is really going on with paranormal phenomena. If the number of reports alone are anything to go on much of the human race is either insane or is seeing some unusual things. The subject requires some real academic consideration. When self-proclaimed experts, however, veer into mythology to start explaining the unknown, we are getting no closer to finding the truth that, as Fox Mulder assures us, is out there. At the University of Wisconsin Oshkosh I taught a course entitled Myth and Mystery. It was some of the most fun I had in the classroom. It was also one of the most difficult classes for which I’d ever had to prepare. Is there intelligent life in outer space? I don’t see why not—the universe is awfully big to rule it out categorically. Are there jinn literally lurking in the closet? For that I’m afraid for that there is a much more prosaic answer.


Haunted Pilgrim

No visit to Providence is complete without a tip of the hat to H. P. Lovecraft. As someone who dabbles in the noble art of writing, I have great appreciation for those who somehow made an impact (often only after they’ve died) on the literary world. I discovered Lovecraft only after I left Nashotah House, which was probably a good thing. Nevertheless, I have come to appreciate his breadth of vision, populating the earth with ancient gods who emphasize the powerful and heartless side of divinity. His vivid images of Cthulhu pervade popular culture to a level that few of the uninitiated would ever expect. And yet, deep in the depths he lurks. So when I was in Providence over the weekend for my niece’s graduation, I spent an afternoon seeking out some time with H. P.

Place inherently partakes of that we term holiness. Where something happened matters. There is no science to explain it, but it is something people know. It is for this reason that I try to visit the homes and resting places of classic writers. Over the years we’ve visited the haunts of Mark Twain, Laura Ingalls Wilder, Edna St Vincent Millay, Washington Irving, Edgar Allan Poe, and others, as well as H. P. Lovecraft. Simply standing in or near the places they once frequented provides a form of inspiration unavailable in any other way. So it was that I found myself at 598 Angell Street in Providence. It is a house still occupied, with no indication of who once called this building home. Lovecraft lived here from 1904 to 1924. If it weren’t for the Lovecraft walking tour I found on the Internet, I would have never known.

In many ways a provincial man, Lovecraft was born and also died in Providence. Apart from a stint in New York City, he spent his time in his hometown. I walked to 454 Angell Street, the address at which he was born. I knew the building had been razed in the 1960s, but I wanted to see what society deems more important than preserving those places that sequester the holy for haunted pilgrims. Although I couldn’t tell for sure, since house numbers change, I believe his birthplace is now the Starbucks that sits pleasantly in a small commercial district. I wonder how many of the thirsty realize where they’re sitting. Have they read any of Lovecraft’s stories? If so, are they uncomfortable sipping coffee in such a spot? Or perhaps it has become a kind of secular sacrament—a toast to all artists whose pasts have been obliterated.


WaterFire

Providence is not always as assured as the divine aid its name suggests. Rhode Island’s capital, like most cities, hosts significant dualities—people who have more than an abundance and those who struggle to get by. There are also those who don’t. In an effort to revitalize the downtown, artists have created WaterFire—an organic sculpture bringing together the pre-Socratic four elements, but focusing on the two encompassed in its name. Great braziers are dot the middle of Providence’s rivers and WaterFire is a new performance art that suggests a religious underpinning. On Saturday, during Brown University’s commencement exercises, WaterFire was performed. Watching fire erupting in the iron braziers as the fire dancer twirled flaming sphere in intricate and dangerous patterns, I felt a primal sense of awe. Indeed, the fire dancer’s motions would be classified as religious by anthropologists in an unfamiliar context.

Religion is generally a response to that which we cannot control. Conscious beings like to think they have some measure of control over their destinies—indeed, people behave that way constantly. It doesn’t take much, however, to demonstrate that our sphere of control is actually miniscule and tenuous. Religions assure us that some cosmic older sibling (whether deity or force or principle) is on our side, watching our backs. Ceremonies propitiate any angry being and bring us back into the graces of elements beyond our control. Is this not the very meaning of the name Providence?

Watching the blazing bonfires tracing the contours of the river, lit by a dancer in time to moving music, WaterFire felt like more than simple performance. Fire is a powerful element, necessary and dangerous to our existence. Water too is crucial, but threatens to overwhelm us as our planet is mostly covered in it. Earth and air often seem the more comfortable elements, often inert and unconsidered. We never confront fire or water in the natural world without giving pause to consider their significance. Whether it is crossing a river or opening an umbrella, water forces itself onto our consciousness. Fire even more so. WaterFire taps into something vital and may just be the real divine guidance that Providence requires at this time.


Dark Light

It took a few weeks and five states, but I finally got to see Dark Shadows. Although I’d seen the trailers, there was quite a bit over which I remained in the dark. After all, the television series ran daily for several years and the story of Barnabas Collins was never really resolved, to the best of my knowledge. Trying to fit all of that into a couple hours of cost-intensive Hollywood showmanship would be a tall order. I have come to trust the Burton-Depp collaboration, however, and I had read some time ago that Johnny Depp had wanted to be Barnabas Collins when he was growing up. It is difficult nevertheless to resurrect a vampire after some three-and-a-half decades of slumber. Speaking with some friends after the movie I discovered that I was not the only child discouraged from watching Dark Shadows after school as a child. But watch I did.

Barnabas Collins became a monster as the result of a curse. The series—which I remember principally as a series of impressions and images—and the movie make that clear. The man who has lost control of his own fate is a reluctant monster. An aristocrat who lives by draining the blood of the common folk. Despite the humor and carnality of the movie, social commentary is there. Sometimes buried in an iron coffin, and sometimes in a vintage VW bus from the early ‘70’s. It may not appear full blown on the big screen but it pulses through the veins nevertheless. Barnabas Collins is a reluctant and conflicted vampire, but he does kill others to survive.

Why would a kid raised in a religious setting be so drawn to a creature of evil? Perhaps it was because Barnabas was the ultimate penitent. He had to victimize others, but he always regretted doing so. Like any living (or undead) creature, his nature compels him to survive. He is sad about his lot in the world, but is helpless to change it. Like many children of the monster generation I was nourished by a long series of movies featuring impossible creatures, including vampires. The earliest vampire I knew, however, was Barnabas Collins. Although Bram Stoker had set the type nearly a century earlier, my measure of the vampire was the reluctant denizen of Collinwood. Although I read my Bible dutifully, and never missed church, I still found the plight of this lonely monster compelling. The movie may not live up to the standard of all Dark Shadows aficionados, but if it brings a subtlety of moral ambiguity to a generation of absurdly self-assured modern-day fundamentalist children, the curse of Barnabas Collins may really be a blessing in disguise.