Monsters and Men

dreadful-pleasuresHorror films are something you either “get” or you don’t. I have no empirical evidence for that, but then again, “getting” is hardly a precise verb. In my recent desire to find some explanation for my own fascination with the genre, I turned to James B. Twitchell’s Dreadful Pleasures: An Anatomy of Modern Horror. This is a smart book. Twitchell, an English professor, knows to include Gothic novels in his accounting for this strange addiction. He has several insightful things to say about the differences between terror and horror. He gives a fairly complete analysis of the “big three”—vampires, Frankenstein monsters, and werewolves/wolf men/Jekyll and Hydes. Still, at the end, I have to wonder if he really “gets” the monsters he explores. Part of this is his early admission that he didn’t grow up with monsters, but that he was introduced to them academically. Another part of it is his sometimes dismissive style when talking about movies that meant a great deal to us monster boomers when they came out. Either you get it or you don’t.

Still, I recommend this book for those who want to make sense of some of the hidden dynamics of classic monsters. That the analysis is sexual should come as no surprise. Twitchell finds evidence for a sublimated incest in many of his creatures, but the true fan knows there is more to them than that. The monster does indeed cross boundaries—that’s what monsters do, after all—but that’s only scratching the surface with their claws. Of course, the book suffers from having been written perhaps a little too early. Although there is protest to the contrary, horror films have grown up considerably since the 1980s. Not all of them, of course. The same thing could be said of the kids I knew in high school.

Having a single theory to approach a phenomenon is respectable. So respectable that it’s called Occam’s Razor and everyone is expected to shave with it. I’ve never liked shaving. The more I reflect on reality, the more it seems to me that answers are more complex than single causation. Sometimes the simplest answer isn’t the most parsimonious. Sometimes there is far more going on than meets the cyclops’ eye. In my experience, limited though it may be, the horror movie has unexplored dimensions. One of them is the coping ability that they offer when evens such as 11/9 occur. There’s no simple way to understand monsters, but if we see them around enough, we might just be able to survive them.

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