Flood of Fancy

Years ago I was approached to write a book about Noah. There was still some hope at that time that I might find a university job and that my words would have more credibility than just any old internet hack. At the time I’d read just about every book about Noah that had been written—and there weren’t that many. Biblical scholars, beyond tying the story to its obvious Mesopotamian sources, have long relegated the tale to the nursery school of biblical drama. Sure, it’s a great story, but what serious scholar takes an interest in a great story? Well, I outlived my academic job and it looks like Noah is going to have the last laugh. We’re told that the Pope has been tweeted about the movie by Russell Crowe and that several Islamic nations have already banned it. According to Today Darren Aronofsky, the director, is more interested in getting non-believers into the theater than trying to please the faithful. Well, let’s face it. A movie based strictly on the Bible would have to be pretty preachy.

The bigger draw seems to be this: our society is simultaneously deemed secular and religious. Americans go to church. They also respond to surveys that they believe in God, the Devil, Heaven, and Hell. They also act as if none of this were true. Business practices tend to be anything but caring, and we show no concerted effort to make sure basic healthcare is offered to all our citizens, let alone the millions who are daily suffering and dying elsewhere in the world. We don’t want to reduce our emissions as a real flood—a literal flood—is on the rise on a global scale. Maybe we’re waiting for a biblical-scale miracle to save us. Noah’s face stares out at you all across Midtown. Judgment is upon us.

NoahMovie

Action films draw male viewers. Religious movies draw females. Aronofsky and Crowe have the winning combination. No gender-bias for a secular-religious nation that has enough loose change to spend a weekend at the movies. The biggest complaint is that it isn’t the Bible. I have to admit I’m kind of enjoying the hype, despite the fact that I never received the chance to write that Noah book that was next on my agenda. If I had, now it might have enjoyed the sales that Irving Finkel’s The Ark Before Noah—scheduled for release three days before the movie—surely will. Timing has never been my strong suit. Of course, money can be its own sort of flood, and many more drown in it than in the literal waters of a secular-religious society. According to Genesis a raven was released to fly about looking for land. The Crowe might have been a better choice since movies, as we all know, improve upon the book.

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