In America’s political climate any book about Darwin takes on a religious cast. As strange as it may seem, an odd equation exists between Darwin, evolution, creation, and the Bible. We forget that Darwin was a retiring man with many interests and a very keen intellect. Erstwhile groomed for the clergy, he lived at a time when much of the world was known really only to the local inhabitants, and observations were still mostly made by the human eye in person. So it was that as photography developed, a new avenue into science opened up. Darwin’s Camera, by Phillip Prodger, is a rare look into, as the subtitle says, Art and Photography in the Theory of Evolution. Darwin wrote several books. Among them was The Expression of the Emotions in Man and Animals. This book was among the first scientific tomes published with photographic evidence to illustrate, if not prove, the points being made. Prodger takes us through the process by which Darwin procured and commissioned his photographs for the book and reveals some deeper truths about his life.
Interestingly, one of the sources of early photos was asylums. There was a belief, apparently, that photographs might be used diagnostically. One of the emotions that was presented to Darwin for his consideration was religious rapture. (Not that I can make any great claims here, but having experienced at least mild versions of such states—whatever their physiological cause—I know that they are powerful.) The observation comes through that religious rapture is difficult to distinguish from insanity, on the face of it. This may sound like an anti-religious slur, but it’s not. Ask around the mystics and you’ll see what I mean. Sanity has its uses, to be sure, but mysticism is all about letting go.
The only real religion in this book comes in the confrontations to Darwin’s evolutionary theory. Prodger does, however, briefly delve into Darwin’s late (and brief) concern about spirit photography. Shortly after cameras were developed, photographic tricks evolved. The Victorians, as we all know, had a very palpable sense of death’s nearness. It is no accident that Spiritualism developed during this time period when a reasonable lifespan was anything but assured. Spirit photographers claimed to capture ghosts of the dead revisiting the living. Darwin, who’d lost a beloved daughter prematurely, knew what grief was. He did not, however, allow it to interfere with his critical thinking. Photographs could be used to prove a point, but they could also be used to make a false claim. Darwin’s success in his book on emotions falls somewhere in the middle. He did have to have some staged shots to illustrate his point. Ever the gentleman, however, Darwin’s decisions were made to enlighten, not to deceive. One wonders whether creationism can even remotely make that same claim.