Jedi Night

Star_Wars_Phantom_Menace_posterIt all began with that trailer. You know, the teaser for the new Star Wars movie. I was among those many small-town boys crowding into theaters in 1977 to have their small-town minds blown with a Luke Skywalker, somehow just like us, getting to go on a galactic adventure and conquering evil. It was a transformative experience. Later I was to learn that noted Jungian mythologist Joseph Campbell had advised on the story, helping to produce image after archetypal image that spoke to deep levels of viewers’ psyches. Hungrily we watched, as even through some missteps, the franchise grew to trilogy proportions, creating its own cultural memes (has “I am your father” ever been the same since?). Then somehow I missed The Phantom Menace, or episode one. It could be that work at the time (Nashotah House) was an epic struggle in its own right. With a small child and not sure about baby-sitting options, taking a night out to watch the prequel to a story that had already nicely resolved itself felt kind of pointless. We already knew how it ended. But that trailer. Now it seems, the story will continue.

So it was that my wife and I decided to catch up. Over the weekend we watched The Phantom Menace. Of course, I’d seen clips before. I’d also read the reviews that were less than complementary (Joseph Campbell had died in the meantime and George Lucas couldn’t seem to come up with archetypes on his own). I was curious, but not curious enough to rent the video (as people did in those days). So The Phantom Menace, cast from the same die as episode 4, also has a strong religious resonance. The Jedi (and already the religion of Jediism has begun to appear) filled the backstory with near invincibility, and all the aliens seemed somehow comic, yet we are told remarkably little about the Force. Perhaps episode 4 had said enough. When Darth Vader is introduced as a prescient boy, the audience (at least this audience) finds it hard to believe he is the result of a virgin birth. Indeed, Lucas throws us the midi-chlorians as a sop, but we know that when a woman gives birth with no male intervention we’re in messianic territory. And of course, non-Muppet Yoda tells us straight up that he may be the chosen one.

Introducing the Sith, who are the embodiment of the dark side of the force, we are treated to a devil in only a thin disguise. The red and black greasepaint warn us that when he removes his hood he will have horns. Although we’re not shown, I suspect he has cloven feet as well. So through the movie with its gratuitous cameos of creatures we already know from episode 4, we come to an end that is strangely familiar. We’re back where we started. The Jedi favor earth tones over white, however, and the Sith is neither all red nor all black. The evil of the galactic empire seems to be no more than the very real overtaxation of the poor. And yet for all my disappointment, there’s that trailer we all saw in December, and using my own version of the Force, I foresee an attack of clones in my future.

2 responses to “Jedi Night

  1. Virgin birth I can live with, and just about everything except the clumsy CGI of Jar Jar, because the John Williams score is gorgeous, but the one thing – the one thing – that really baffles me is the whole ‘go through the planet core’ concept.

    I mean, hyperspace travel is one thing, but a planet with an aquatic core? A journey of thousands of kilometres through crushing pressures? Or is this just a case of sloppy linguistics, and what they really meant is: we’ll take a submarine through a deep (er, maybe 200m?) subterranean channel that will take us out at the city, which is about 10 km away…

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    • Great observation, Frank! That did seem a bit odd, now that you mention it. I wondered why the water wasn’t boiling. Overall the movie lacks the gravitas that the first series did, but in for a penny, in for a pound…

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