Biblical tropes are alive and well in popular culture. Many would choose the flight option rather than admit they enjoy a good Bible story. They may anyway, however, without realizing it. Although The Dark Knight Rises came out over a year ago, I only just had the chance to watch it. For a kid who grew up on the campy 1960’s television series, Christopher Nolan offers adult fare. Put the kiddie menu away and sit up straight at the table. I don’t read reviews, in general, before seeing movies because I don’t enjoy spoilers. I had no idea whether Batman would come out of this alive or not. I wasn’t really even sure who Bane was (even before The Dark Knight everyone knew who the Joker was, or thought they did). The Dark Knight Rises places the whole of Heilsgeschichte (sacred history) before the viewer with verbal cues. Unless you’re reading while watching, you’ll miss it though.
Bruce Wayne is clearly cast as the wounded healer in this final installment of the trilogy. Physically and psychologically crippled, he hobbles around in a combination of Jesus and Yoda figures, somehow supernatural yet fully human. Death and resurrection transpire twice for him in this film. When Bane breaks Batman’s back (an often fatal injury) even Catwoman thinks he might be dead. He is very much alive, however, in the prison only “Bane” escaped (resurrection one). Not only does he rise from the grave, he also ascends into heaven by escaping the well—anyone who’s read Jeremiah, or even Genesis, knows the origin of that motif. Risen, ascended, and glorified, Batman returns to beat the crap out of Bane. But the bomb is still on the loose and before Batman faces his nemesis he tells Commissioner Gordon to arrange “an exodus”—Joseph’s descendants must get out of Egypt. At the Red Sea (the Hudson River) the Pharaoh’s army blocks the exodus of the children of St. Swithun’s who, in response, bow their heads in prayer (am I the only one seeing this?)
Commissioner Gordon, found guilty of betraying the common man, receives the sentence of Exile (“death, by exile” to be precise). Again, those sensitive to Jeremiah know that exile is a kind of death, but death with a noble purpose. The Heilsgeschichte of Israel involves exodus and exile. The Christians added on death, resurrection, and ascension. Christopher Nolan put them together in one Dark Knight. But I mentioned two resurrections, no? Flying the bomb out of Gotham, Batman is definitively blown to smithereens—the blast radius was, after all, six miles. And yet, Alfred has a post-resurrection visitation, where no touching occurs (Touch me not; for I am not yet ascended to my Father) sees his savior. Was the Bat the Holy Spirit on autopilot? Is that Catwoman with him? Might I be so bold as to type Mary Magdalene? Well, I may be over a year late with my observations of The Dark Knight Rises, but as I think Christopher Nolan understands, the Bible has been lying around even longer. If the success of this movie is anything to go by, it will be around for a long time yet to come.