The Carnivorous Carnival continues to reveal more of the Baudelaires’ unanswered questions. At the Caligari Carnival the orphans disguise themselves to fit into a freak show, and meet Madame Lulu, who reveals important information—the V.F.D. has split into two parties. The children still don’t learn what the initials stand for, but they discover that some of the influential adults in their lives were part of it. The story grows quite gripping and more seriously dark than I remembered it being when I read it to our daughter many years ago. One of Count Olaf’s associates isn’t mentioned after The Hostile Hospital, where presumably they died. In this volume, another of his associates is thrown to the lions that give the book its title.
I couldn’t help but think of Daniel in the lion’s den as I read this one. And Olaf’s plan is only too eagerly lapped up by the crowd wanting to see violence (and sloppy eating). The reference to Daniel here can’t be coincidence. The story also has the children questioning their own motivations. Are they villains too? Madame Lulu was a good member of V.F.D. who’d turned bad. The children helped her reform, but in the end she betrayed them to Count Olaf. Were their motives really pure? For the first time in a Series of Unfortunate Events, the orphans end up separated at the end. Neither Mr. Poe nor the Quagmire Triplets appear in this part of the tale. It does seem, as noted, darker than usual.
Daniel Handler continues his subtle talking over the heads of children, though. When explaining “déjà vu” for children, he gives other examples such as “ennui” and “la petite mort.” The latter he explains that it’s a feeling that part of you has died, but Handler certainly knows that the common usage for the phrase is a circumlocution for “orgasm.” Something many adults know as well, I suspect. And there is humor for younger readers as well. The “freaks” with whom the orphans share their job at the carnival provide some comic relief. As an adult reading the books for myself, I get the feeling that, by this far into the series the story—while remaining pure fantasy—is aimed more at older readers. It’s amazing what you can forget over the course of a couple of decades. I trusted Lemony Snicket all those years ago, not to write anything that would seriously disturb our child. I still trust him as an adult as I look forward to book ten.
